Two Pilgrims' Progress; from fair Florence, to the eternal city of Rome — A Closer Reading
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This digital edition of Two Pilgrims' Progress; from fair Florence, to the eternal city of Rome — A Closer Reading is described by source-level measurements including 36,391 words, 2 hr 39 min estimated reading time, and 5 detected text sections.
The text analysis averages about 19.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Italy -- Description and travel,” connecting these edition facts with the source record’s subject description.
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That was her Husband. As this Book doth show, _Rare skill he had when he would Sketches take, And from those Sketches prittie Pictures make. She with the Pen could well illuminate, He with the Pencil Nature illustrate. Oh, is't not strange that what they did so well In the Pen way meets in the Name Pen-nell? By which the Proverb doth approved appeare,_ Nomen est Omen,--_as is plain and cleere. Which means to say that every Soule doth Bear A Name well suited to his charactere._
_Now, when this Couple unto Mee did come, And askt me iff I'de write a little Pome, That Tale and Picture as they rouled along Might have some small Accomp'niment of Song, I set my Pen to Paper with Delighte, And quickly had my Thoughts in Black and White. Even as_ JOHN BUNYAN _said he did of yore, So I, because I'd done the like before. Since I was the first man of modern time Who on the bycicle e'er wrote a Rime, How I a Lady in a Vision saw Upon a Wheel like that of Budda's Law, Which kept the Path and went exceeding fast; Loe! now my Vision is fulfilled at last, In this brave writer who with ready Hand Hath guided well the Wheel ore many a Land, Showing the World by her adventurous Course How one may travel fast as any Horse, Without a Steed, and stop where'er ye will, And have for oats or stable nere a Bill._
_Now, for the Book I something have to say (Pray mark Mee well, good Reader, while_ you _may)._ They _say that in the Publick some there bee Who'll take it ill 'cause it doth Parody_ JOHN BUNYAN'S Progress. _That can ne'er be said By any who_ JOHN BUNYAN'S _Booke have read, Since he himself protests against the Whim Of those who said the selfsame thing of him, And thought he lightly treated solemn Things. List the Defence which to this Charge he brings: "This Book will make a Traveler of_ Thee, _If by its Councill_ thou _wilt guided be. And it is writ in such a Dialect As may the Minds of listless Men affect. It seems a_ NOVELTY, _and yet contains Nothing but sound and honest Gospel Strains."_
_Now I can make no more Apologie Than Honest_ JOHN _did make for himself, d'ye see; As for the Rest--if you but cast your Eye Upon the Pictures ere the Booke ye buy, And if of Art you are a clever Judge, The Price for it you'll surely not begrudge. Now, Reader, I have praysed this Booke to Thee, I trust that Thou wilt scan Itt carefullie; 'T will set before thee Portraiture of Townes, Castles and Towres, antient Villes and Downs, How rowling Rivers to y^e Ocean hast, Of Roadside Inns and many a faire Palast, Served up, I ween, with so much gentle Mirthe, Thoulte fairly own thou'st gott_ thy _Money's Worth. If thou art Cheated Mine shall bee the Sinn,-- Turn o'er the Page, my Lady, and Begin!_
_Loe! Vanity Faire!--the Worlde is there, Hee and his Wife beside. Ye may see it afoot, or from the Traine, Or if on a Wheel you ride._
CHARLES GODFREY LELAND,
Who is responsible for our First Work Together, & Who has been the Great-Heart of many a Pilgrimage taken in his Company,
We dedicate this Book._
THE ROAD TO FAIR AND SOFT SIENA 25
FAIR AND SOFT SIENA 45
AN ITALIAN BY-ROAD 61
THROUGH THE WILDERNESS TO A GARDEN 94
WE ARE DETAINED IN MONTEPULCIANO 101
IN THE VAL DI CHIANA 109
LUCA SIGNORELLI'S TOWN 118
TO PERUGIA: BY TRAIN AND TRICYCLE 122
ACROSS THE TIBER TO ASSISI 134
TERNI AND ITS FALLS 155
IN THE LAND OF BRIGANDS 157
ACROSS THE CAMPAGNA 166
LIST OF ILLUSTRATIONS.
OVER THE PONTE VECCHIO 14
A PERUGINO LANDSCAPE 24
ON THE ARNO--NEAR EMPOLI 36
A SLIGHT OBSTRUCTION 40
AT THE FOOT OF THE CROSS 96
LEAVING MONTEPULCIANO 106
THE BRONZE PONTIFF'S BENEDICTION, PERUGIA 134
A FROWN OF DISAPPROVAL, ASSISI 136
"PIPING DOWN THE VALLEY" 160
FROM VIA FLAMINIA, NEAR PONTE MOLLE 170
TWO PILGRIMS' PROGRESS.
"_They are a couple of far-country men, and, after their mode, are going on Pilgrimage._"
The book opens with a playful verse apology by Charles G. Leland, who frames the journey as a modern parody of John Bunyan's Pilgrim's Progress, with the pilgrims wheeling themselves over Italy. The narrative voice, attributed to Elizabeth Robins Pennell, immediately establishes a tone of wry observation and practical detail. The first excerpt shows the travelers pausing in Pienza to examine Pius II's architectural ambitions, noting the papal crescents and keys as 'out of place' in the chalky landscape. This blend of historical curiosity and candid judgment sets the pattern for the journey.
A Wheelwright's Trade and a Poet's Preface
Before the narrative begins, Charles G. Leland contributes a dedicatory poem that playfully defends the book's parody of Bunyan. He puns on the authors' surname—'Pen-nell'—and boasts of being the first to write a rhyme on the bicycle. The poem establishes the work as a lighthearted travelogue, not a solemn allegory. Leland's voice, with its archaic diction and self-deprecating humor, primes the reader for a journey that is as much about the act of writing and sketching as about the places visited. The preface also hints at the collaborative nature of the project: Elizabeth writes, Joseph illustrates, and Leland provides the 'Accomp'niment of Song.'
The Pilgrims' Progress Through Tuscany
The excerpts from the main text reveal a pattern of movement and pause. The travelers cycle through varied landscapes—from the 'thickly wooded country' near Montepulciano to the 'fair Val di Chiana'—and their descriptions shift between broad vistas and intimate details. In Pienza, they note the 'fine crescents of the Piccolomini' and the 'old stone well and its beautiful wrought-iron work.' The narrative voice is precise: Joseph sketches a courtyard while Elizabeth observes the ironwork. This alternation between motion and stillness, between the panoramic and the particular, gives the journey a rhythm that mirrors the physical act of cycling.
Detained in Montepulciano: The Human Comedy
A key episode occurs when Joseph falls ill in Montepulciano, forcing a two-day halt at the Albergo Marzocco. The description of the inn—'on the fifth floor of an old palace, and the entrance was through the kitchen'—is rich with character. The padrona announces herself as a washerwoman and cook; the staff includes a 'youth of unparalleled stupidity.' Elizabeth's tone is affectionate but sharp, as she notes the inefficiency caused by the padrone's divided attention between the inn and his pork shop. This section grounds the travelogue in the everyday realities of Italian life, away from scenic vistas, and reveals the authors' ability to find humor in inconvenience.
The View from the Window: Lakes and Bells
Throughout the excerpts, the authors repeatedly frame their observations through windows and archways. In Montepulciano, Elizabeth notes that 'at almost every turn we saw through an archway the three far-away lakes of Montepulciano, Chiusi, and Thrasymene.' This compositional device—borrowed from painting—gives the prose a visual structure. The landscape is often seen in layers: the olive-gardens in the foreground, the 'purple mountains' beyond, and the 'broad spaces of bright sky' above. The sound of bells, too, punctuates the journey: 'All the bells rang out as if in welcome' when they wheel into Montepulciano. These sensory details anchor the reader in the pilgrims' immediate experience.
Readers approaching Two Pilgrims' Progress should attend to the interplay between Elizabeth's prose and Joseph's illustrations (though only text excerpts are provided here). The book rewards those who enjoy a blend of travelogue, social observation, and gentle self-mockery. The episodic structure—moving from road to inn to town—mirrors the pace of a bicycle tour, with each stop offering a new vignette. The authors' eye for the absurd and their willingness to linger on minor characters make this more than a simple itinerary; it is a portrait of Italy as seen from the saddle.
That rainy afternoon, I kept returning to Two Pilgrims' Progress, tracing their wobbling bicycle lines on the map. Their amused patience with dusty roads made me wonder about other travelers, less romantic, heading west instead of south. I set it down and picked up a much older journey — Trip to the West and Texas comprising a journey of eight thousand miles, through New-York, Michigan, Illinois, Missouri, Louisiana and Texas, in the autumn and winter of — Inside the Classic — and felt the same patient, unhurried rhythm, just muddier.
Theodore Moore
3 weeks agoEvelyn Davis
2 weeks agoSebastian Garcia
1 month agoMatthew Miller
1 month ago-
Steve Smith - 1 month ago
{'rating': 5, 'text': "This charming travelogue follows two friends on a walking journey from Florence to Rome, and it's a delight from start to finish. The descriptions of the Italian countryside and the small towns along the way are so vivid you feel you're walking beside them. The historical and cultural insights are woven seamlessly into the narrative. A perfect read for Italophiles and travel enthusiasts."} -
Robert Nguyen - 3 weeks ago
{'rating': 3, 'text': "A pleasant account of a journey through Italy, capturing the essence of the landscape and the warmth of the people. The writing is friendly and accessible, but sometimes it lacks depth, glossing over historical details that could have been better explored. Still, it's a light and enjoyable book for those dreaming of an Italian adventure."} -
Colleen Moore - 2 weeks ago
{'rating': 2, 'text': 'This book is rather superficial in its observations, focusing more on the personal experience of the two travelers than on providing substantive information about Italy. The tone is overly sentimental, and the narrative meanders without much direction. Readers looking for a serious travelogue or historical analysis should look elsewhere.'}
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Scarlett Williams
1 month ago