The Diary of a Girl in France in 1821 — Background and Themes

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Browne, Mary, 1807-1833, Browne, Euphemia Stewart [Author of introduction, etc.], Shore, Henry N., 1847-1926 [Editor] Project Gutenberg 2017 Not confirmed
France -- Description and travel; France -- Social life and customs Readers of public-domain and historical texts
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Words 38,774
Reading time 169 min
Text sections 5

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A 14-year-old English girl's diary of her 1821 journey through France, recording market haggling, Parisian sights, and local customs with precise, unvarnished observations.
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was very like Keswick Lake, but the lower end not so pretty; the mountains did not look very high. There were a great number of trees; some of them had on kind of covers, which looked like tombstones; the white railings and the shadows of the trees were remarkably natural; there were several figures, the prettiest was a little child learning to walk. We went to St. Paul's, and just walked through it. I thought it very fine, but spoiled by the blackness. I had no idea of the height till I observed some people in the gallery, who looked no bigger than flies; the pillars were very thick. In our way to St. Paul's we passed by Perry's glass-shop; in the window there was a curtain of glass drops, with two tassels; it had a very pretty effect, and when the sun shone it appeared all colours, but when we entered the shop it was quite beautiful, there were such numbers of large glass lamps hanging from the ceiling, and chandeliers, etc., in all parts. We saw the jugs belonging to a dessert-set for a Spanish nobleman, which was to cost twelve hundred pounds. Also a picture of a lamp which the King had had made there: it was gilt dragons with lotuses in their mouths; in these the lamps were placed so as to be quite hid. I should think it would be more curious than pretty. We passed by Green Park, and saw Lord William Gordon's house, which has a very nice garden. We drove through Hyde Park; the trees were very pretty, and the leaves far out; we passed very near the Serpentine. It was excessively hot weather.

_April 27th._--We saw the Western Exchange, which is something like a large room full of shops; from that we went to Miss Linwood's Exhibition. The pictures were exactly like paintings; there was a railing before them, so that one could not see very near them; some of the prettiest were Jephtha's Daughter, a nymph turning into a fountain, a little girl and a kitten, some children on an ass, a girl and a bird, a woodman and a lobster; in a smaller room were several pictures of our Saviour, the finest was a head; there was no railing before them, and when one looked near and could see the stitches, they looked quite rough; we went along a passage and looked through a kind of grating in which there was a head of Buonaparte, in another a lion's den; but the most amusing thing was some children in a cottage; underneath a shelf lay a little black-and-white dog, which we were afraid to go near thinking it was alive; Catherine said she saw its eyes moving. The streets in London were a great deal prettier than I imagined, such numbers of shops, carriages, etc.--indeed the whole far exceeded my expectation. There were a great many carriages in Bond Street driving backwards and forwards.

_April 28th._--We left London about half-past nine o'clock; we passed close by Westminster Abbey, which is prettier than St. Paul's; we had a beautiful view of London from Westminster Bridge, where I think it looks best, all the ships look so lively on the river, and London appears so large. Somerset House is one side of the Thames; we had another view after we were out of the city, where we saw London much better than when we were coming in; we saw the Monument and the Tower at a distance: it was delightful weather, the leaves were quite out; we saw a great number of butterflies, one kind of a bright yellow (that I had never seen before). The country looked very pretty, but the cottages were not so nice as those in Hertfordshire; we had several views of the Thames; we slept at Canterbury.

_April 29th._--We breakfasted at Dover.

Mary Browne was fourteen when she kept the diary that became The Diary of a Girl in France in 1821. The entries, written between April and August of that year, record a journey through Normandy and Paris with her parents. Browne’s voice is direct and unpolished, attentive to prices, faces, and small dramas—a boy who refuses his pay, a priest who reminds her of the Inquisition. The diary offers a young traveler’s unsentimental view of post-Napoleonic France, where millers breakfast on long rolls and flower markets display apple trees in pots.

A Bargain Turned Confrontation

On June 14, Browne records an incident at the market that reveals the friction between foreign visitors and local vendors. A boy hired to carry goods home refuses the agreed payment, demanding more money, then meat and bread, and finally the plate itself. He threatens to fetch the commissaire. The porter’s wife intervenes, scolds him, and forces him to accept the original sum. Browne notes that this boy was one of those who used to point at the English girls on their way to school. The episode is reported without commentary, but the details—the escalation of demands, the threat of authority, the boy’s parting abuse—show a teenager alert to the power struggles embedded in everyday transactions.

Parisian Curiosities and Price Comparisons

Browne’s Paris entries are a catalogue of novelties and costs. At the Passage des Panoramas she buys clear beads for five sous, noting they were a sou dearer than at Versailles. At the Palais Royal the same beads cost eight sous, and she declares the shops there “very dear and disagreeable.” She observes a tame canary in a moss bower, a hedgehog performing tricks, and the Chinese baths ornamented with artificial rocks and figures holding umbrellas. The boulevards are crowded with people idling. Browne’s eye moves from the exotic to the economic; she is as interested in the price of beads as in the tame animals, and her comparisons across locations suggest a methodical, budget-conscious traveler.

A Wedding and a Priest

At the Church of St. Sulpice, Browne witnesses a wedding. She describes the couple as “a curious-looking pair” and the priest as “the most horrid-looking old man I ever saw.” After the ceremony, the priest passes close by, muttering to himself. Browne writes that he reminded her of the Inquisition and “everything horrible.” The reaction is visceral and unguarded, a rare moment of fear or revulsion in a diary otherwise occupied with prices and flower markets. The entry also notes a painting over the altar lit from above, and the wedding itself, but the priest’s appearance dominates the scene. Browne’s imagination—linking a Catholic priest to the Inquisition—reflects the Protestant English perspective she brought to France.

Browne’s diary is not a polished travelogue but a record of what caught a fourteen-year-old’s attention: the price of beads, the rudeness of a boy, the ugliness of a priest. Readers should attend to the gaps—what she does not describe, what she takes for granted—as much as to her precise observations. The diary’s value lies in its unselfconscious detail, a young girl’s view of a foreign country in 1821.

Sometimes I think of that fourteen-year-old girl, noting the price of bread in an unfamiliar market, and I feel the quiet ache of watching a world change under one’s pen. There’s a similar longing in The Gates of India: Being an Historical Narrative — Background and Themes, where history is less a grand stage than a series of small, patient footsteps. Both feel like letters from a lost afternoon.

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  • ...
    Tracy Joseph Le - 1 month ago
    This diary offers a unique personal perspective on French society in 1821. The author's innocence and attention to detail are endearing. However, the entries can be repetitive, and some historical references may confuse readers without background knowledge. Nonetheless, a pleasant and quick read for those curious about historical daily life.

  • ...
    Megan Hood - 3 weeks ago
    I had high hopes for this diary but was ultimately disappointed. The writing is very dry and lacks emotional depth, reading more like a list of events than a personal reflection. The protagonist seems sheltered, and her comments often feel trivial. For a modern reader, it's hard to connect with such a narrow worldview. Not recommended unless you're a hardcore historian.

  • ...
    Karen Goodman - 2 weeks ago
    The Diary Of A Girl In France In 1821 is a fascinating and intimate glimpse into a bygone era. The girl's voice is charming and surprisingly modern, capturing the everyday life, fashion, and social customs of post-Napoleonic France. Her observations are witty and insightful. Reading her diary feels like a private conversation across centuries. Absolutely delightful and historically informative.


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