The Blue-Grass Region of Kentucky, and Other Kentucky Articles — Reading Notes

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Allen, James Lane, 1849-1925 Project Gutenberg 2013 Not confirmed
Kentucky -- Description and travel; Kentucky -- Social life and customs Readers of public-domain and historical texts
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Words 61,187
Reading time 267 min
Text sections 8

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James Lane Allen's 1892 collection of descriptive articles on Kentucky's Blue-Grass region, blending travelogue with social observation. The prose shifts from pastoral landscapes to detailed accounts of county court days, fairs, and Trappist monastery life, revealing a writer attentive to both natural beauty and human customs.
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Nothing was said of education. The Kentuckian loves the memory of Thomas Jefferson, not forgetting that he once ran racehorses. These great interests, not overlooking the cattle interest, the manufacture of whiskey, and the raising of tobacco, will no doubt constitute the future determining factors in the history of this country. It should not be forgotten, however, that the Northern and Eastern palate becomes kindly disposed at the bare mention of the many thousands of turkeys that annually fatten on these plains.

"In Kentucky," writes Professor Shaler, in his recent history, "we shall find nearly pure English blood. It is, moreover, the largest body of pure English folk that has, speaking generally, been separated from the mother country for two hundred years." They, the blue-grass Kentuckians, are the descendants of those hardy, high-spirited, picked Englishmen, largely of the squire and yeoman class, whose absorbing passion was not religious disputation, nor the intellectual purpose of founding a State, but the ownership of land and the pursuits and pleasures of rural life, close to the rich soil, and full of its strength and sunlight. They have to this day, in a degree perhaps equalled by no others living, the race qualities of their English ancestry and the tastes and habitudes of their forefathers. If one knows the Saxon nature, and has been a close student of Kentucky life and character, stripped bare of the accidental circumstances of local environment, he may amuse himself with laying the two side by side and comparing the points of essential likeness. It is a question whether the Kentuckian is not more like his English ancestor than his New England contemporary. This is an old country, as things go in the West. The rock formation is very old; the soil is old; the race qualities here are old. In the Sagas, in the Edda, a man must be over-brave. "Let all who are not cowards follow me!" cried McGary, putting an end to prudent counsel on the eve of the battle of the Blue Licks. The Kentuckian winced under the implication then, and has done it in a thousand instances since. Over-bravery! The idea runs through the pages of Kentucky history, drawing them back into the centuries of his race. It is this quality of temper and conception of manhood that has operated to build up in the mind of the world the figure of the typical Kentuckian. Hawthorne conversed with an old man in England who told him that the Kentuckians flayed Tecumseh where he fell, and converted his skin into razor-strops. Collins, the Kentucky Froissart, speaking of Kentucky pioneers, relates of the father of one of them that he knocked Washington down in a quarrel, and received an apology from the Father of his Country on the following day. I have mentioned this typical Hotspur figure because I knew it would come foremost into the mind of the reader whenever one began to speak with candor of Kentucky life and character. It was never a true type: satire bit always into burlesque along lines of coarseness and exaggeration. Much less is it true now, except in so far as it describes a kind of human being found the world over.

But I was saying that old race qualities are apparent here, because this is a people of English blood with hereditary agricultural tastes, and because it has remained to this day largely uncommingled with foreign strains. Here, for instance, is the old race conservatism that expends itself reverentially on established ways and familiar customs. The building of the first great turnpike in this country was opposed on the ground that it would shut up way-side taverns, throw wagons and teams out of employment, and destroy the market for chickens and oats. Prior to that, immigration was discouraged because it would make the already high prices of necessary articles so exorbitant that the permanent prosperity of the State would receive a fatal check. True, however, this opposition was not without a certain philosophy; for in those days people went to some distant lick for their salt, bought it warm from the kettle at seven or eight cents a pound, and packed it home on horseback, so that a fourth dropped away in bitter water. Coming back to the present, the huge yellowish-red stage-coach rolls to-day over the marbled roads of the blue-grass country. Families may be found living exactly where their pioneer ancestors effected a heroic settlement--a landed aristocracy, if there be such in America. Family names come down from generation to generation, just as a glance at the British peerage will show that they were long ago being transmitted in kindred families over the sea. One great honored name will do nearly as much in Kentucky as in England to keep a family in peculiar respect, after the reason for it has ceased. Here is that old invincible race ideal of personal liberty, and that old, unreckoning, truculent, animal rage at whatever infringes on it. The Kentuckians were among the very earliest to grant manhood suffrage. Nowhere in this country are the rights of property more inviolable, the violations of these more surely punished: neither counsel nor judge nor any power whatsoever can acquit a man who has taken fourpence of his neighbor's goods. Here is the old land-loving, land-holding, home-staying, home-defending disposition. This is not the lunching, tourist race that, to Mr. Ruskin's horror, leaves its crumbs and chicken-bones on the glaciers. The simple rural key-note of life is still the sweetest. Now, after the lapse of more than a century, the most populous town contains less than twenty thousand white souls. Along with the love of land has gone comparative content with the annual increase of flock and field. No man among them has ever got immense wealth. Here is the old sense of personal privacy and reserve which has for centuries intrenched the Englishman in the heart of his estate, and forced him to regard with inexpugnable discomfort his neighbor's boundaries. This would have been a densely peopled region, the farms would have been minutely subdivided, had sons asked and received permission to settle on parts of the ancestral estate. This filling in and too close personal contact would have satisfied neither father nor child, so that the one has generally kept his acres intact, and the other, impelled by the same land-hunger that brought his pioneer forefather hither, has gone hence into the younger West, where lie broader tracts and vaster spaces. Here is the old idea, somewhat current still in England, that the highest mark of the gentleman is not cultivation of the mind, not intellect, not knowledge, but elegant living. Here is the old hereditary devotion to the idea of the State. Write the biographies of the Kentuckians who have been engaged in national or in local politics, and you have largely the history of the State of Kentucky. Write the lives of all its scientists, artists, musicians, actors, poets, novelists, and you find many weary mile-stones between the chapters.

Enter the blue-grass region from what point you choose--and you may do this, so well traversed is it by railways--and you become sensitive to its influence. If you come from the North or the East, you say: "This is not modern America. Here is something local and unique. For one thing, nothing goes fast here." By-and-by you see a blue-grass race-horse, and note an exception. But you do not also except the rider or the driver. The speed is not his. He is a mere bunch of mistletoe to the horse. Detach him, and he is not worth timing. Human speed for the most part lies fallow. Every man starts for the goal of life at his own natural gait, and if he sees that it is too far off for him to reach it in a lifetime, he does not run the faster, but has the goal moved nearer him. The Kentuckians are not provincial. As Thoreau said, no people can long remain provincial who have a propensity for politics, whittling, and rapid travelling. They are not inaccessible to modern ideas, but the shock of modern ideas has not electrified them. They have walled themselves around with old race instincts and habitudes, and when the stream of tendency rushes against this wall, it recoils upon itself instead of sweeping away the barrier.

The typical Kentuckian regards himself an American of the Americans, and thinks as little of being like the English as he would of imitating the Jutes. In nothing is he more like his transatlantic ancestry than in strong self-content. He sits on his farm as though it were the pole of the heavens--a manly man with a heart in him. Usually of the blond type, robust, well formed, with clear, fair complexion, that grows ruddier with age and stomachic development, full neck, and an open, kind, untroubled countenance. He is frank, but not familiar; talkative, but not garrulous; full of the genial humor of local hits and allusions, but without a subtle nimbleness of wit; indulgent towards purely masculine vices, but intolerant of petty crimes; no reader of books nor master in religious debate, faith coming to him as naturally as his appetite, and growing with what it feeds upon; loving roast pig, but not caring particularly for Lamb's eulogy; loving his grass like a Greek, not because it is beautiful, but because it is fresh and green; a peaceful man with strong passions, and so to be heartily loved and respected or heartily hated and respected, but never despised or trifled with. An occasional barbecue in the woods, where the saddles of South Down mutton are roasted on spits over the coals of the mighty trench, and the steaming kettles of burgoo lend their savor to the nose of the hungry political orator, so that he becomes all the more impetuous in his invectives; the great agricultural fairs; the race-courses; the monthly county court day, when he meets his neighbors on the public square of the nearest town; the quiet Sunday mornings, when he meets them again for rather more clandestine talks at the front door of the neighborhood church--these and his own fireside are his characteristic and ample pleasures. You will never be under his roof without being touched by the mellowest of all the virtues of his race--simple, unsparing human kindness and hospitality.

The women of Kentucky have long had reputation for beauty. An average type is a refinement on the English blonde--greater delicacy of form, feature, and color. A beautiful Kentucky woman is apt to be exceedingly beautiful. Her voice is low and soft; her hands and feet delicately formed; her skin pure and beautiful in tint and shading; her eyes blue or brown, and hair nut brown or golden brown; to all which is added a certain unapproachable refinement. It must not for a moment be supposed, however, that there are not many genuinely ugly women in Kentucky.

On the outskirts of the towns of central Kentucky, a stranger, searching for the picturesque in architecture and in life, would find his attention arrested by certain masses of low frame and brick structures, and by the multitudes of strange human beings that inhabit them. A single town may have on its edges several of these settlements, which are themselves called "towns," and bear separate names either descriptive of some topographical peculiarity or taken from the original owners of the lots. It is in these that a great part of the negro population of Kentucky has packed itself since the war. Here live the slaves of the past with their descendants; old family servants from the once populous country-places; old wagon-drivers from the deep-rutted lanes; old wood-choppers from the slaughtered blue-grass forests; old harvesters and ploughmen from the long since abandoned fields; old cooks from the savory, wasteful kitchens; old nurses from the softly rocked and softly sung-to cradles. Here, too, are the homes of the younger generation, of the laundresses and the barbers, teachers and ministers of the gospel, coachmen and porters, restaurant-keepers and vagabonds, hands from the hemp factories, and workmen on the outlying farms.

You step easily from the verge of the white population to the confines of the black. But it is a great distance--like the crossing of a vast continent between the habitats of alien races. The air seems all at once to tan the cheek. Out of the cold, blue recesses of the midsummer sky the sun burns with a fierceness of heat that warps the shingles of the pointed roofs and flares with blinding brilliancy against some whitewashed wall. Perhaps in all the street no little cooling stretch of shade. The unpaved sidewalks and the roadway between are but indistinguishable parts of a common thoroughfare, along which every upspringing green thing is quickly trodden to death beneath the ubiquitous play and passing of many feet. Here and there, from some shielded nook or other coign of vantage, a single plumy branch of dog-fennel may be seen spreading its small firmament of white and golden stars close to the ground; or between its pale green stalks the faint lavender of the nightshade will take the eye as the sole emblem of the flowering world.

A negro town! Looking out the doors and windows of the cabins, lounging in the door-ways, leaning over the low frame fences, gathering into quickly forming, quickly dissolving groups in the dusty streets, they swarm. They are here from milk-white through all deepening shades to glossy blackness; octoroons, quadroons, mulattoes--some with large liquid black eyes, refined features, delicate forms; working, gossiping, higgling over prices around a vegetable cart, discussing last night's church festival, to-day's funeral, or next week's railway excursion, sleeping, planning how to get work and how to escape it. From some unseen old figure in flamboyant turban, bending over the wash-tub in the rear of a cabin, comes a crooned song of indescribable pathos; behind a half-closed front shutter, a Moorish-hued _amosoro_ in gay linen thrums his banjo in a measure of ecstatic gayety preluding the more passionate melodies of the coming night. Here a fight; there the sound of the fiddle and the rhythmic patting of hands. Tatters and silks flaunt themselves side by side. Dirt and cleanliness lie down together. Indolence goes hand in hand with thrift. Superstition dogs the slow footsteps of reason. Passion and self-control eye each other across the narrow way. If there is anywhere resolute virtue, round it is a weltered muck of low and sensual desire. One sees the surviving types of old negro life here crowded together with and contrasted with the new phases of "colored" life--sees the transitional stage of a race, part of whom were born slaves and are now freemen, part of whom have been born freemen but remain so much like slaves.

It cannot fail to happen, as you walk along, that you will come upon some cabin set back in a small yard and half hidden, front and side, by an almost tropical jungle of vines and multiform foliage: patches of great sunflowers, never more leonine in tawny magnificence and sun-loving repose; festoons of white and purple morning-glories over the windows and up to the low eaves; around the porch and above the door-way, a trellis of gourd-vines swinging their long-necked, grotesque yellow fruit; about the entrance flaming hollyhocks and other brilliant bits of bloom, marigolds and petunias--evidences of the warm, native taste that still distinguishes the negro after some centuries of contact with the cold, chastened ideals of the Anglo-Saxon.

In the door-way of such a cabin, sheltered from the afternoon sun by his dense jungle of vines, but with a few rays of light glinting through the fluttering leaves across his seamed black face and white woolly head, the muscles of his once powerful arms shrunken, the gnarled hands folded idly in his lap--his occupation gone--you will haply see some old-time slave of the class of Mrs. Stowe's Uncle Tom. For it is true that scattered here and there throughout the negro towns of Kentucky are representatives of the same class that furnished her with her hero; true, also, that they were never sold by their Kentucky masters to the plantations of the South, but remained unsold down to the last days of slavery.

When the war scattered the negroes of Kentucky blindly, tumultuously, hither and thither, many of them gathered the members of their families about them and moved from the country into these "towns;" and here the few survivors live, ready to testify of their relations with their former masters and mistresses, and indirectly serving to point a great moral: that, however justly Mrs. Stowe may have chosen one of their number as best fitted to show the fairest aspects of domestic slavery in the United States, she departed from the common truth of history, as it respected their lot in life, when she condemned her Uncle Tom to his tragical fate. For it was not the _character_ of Uncle Tom that she greatly idealized, as has been so often asserted; it was the category of events that were made to befall him.

As citizens of the American Republic, these old negroes--now known as "colored gentlemen," surrounded by "colored ladies and gentlemen"--have not done a great deal. The bud of liberty was ingrafted too late on the ancient slave-stock to bear much fruit. But they are interesting, as contemporaries of a type of Kentucky negro whose virtues and whose sorrows, dramatically embodied in literature, have become a by-word throughout the civilized world. And now that the war-cloud is lifting from over the landscape of the past, so that it lies still clear to the eyes of those who were once the dwellers amid its scenes, it is perhaps a good time to scan it and note some of its great moral landmarks before it grows remoter and is finally forgotten.

These three types--Mrs. Stowe's Uncle Tom, and the Shelbys, his master and mistress--were the outgrowth of natural and historic conditions peculiar to Kentucky. "Perhaps," wrote Mrs. Stowe in her novel, "the mildest form of the system of slavery is to be seen in the State of Kentucky. The general prevalence of agricultural pursuits of a quiet and gradual nature, not requiring those periodic seasons of hurry and pressure that are called for in the business of more southern districts, makes the task of the negro a more healthful and reasonable one; while the master, content with a more gradual style of acquisition, had not those temptations to hard-heartedness which always overcome frail human nature, when the prospect of sudden and rapid gain is weighed in the balance with no heavier counterpoise than the interests of the helpless and unprotected." These words contain many truths.

For it must not be forgotten, first of all, that the condition of the slave in Kentucky was measurably determined by certain physical laws which lay beyond the control of the most inhuman master. Consider the nature of the country--elevated, rolling, without miasmatic districts or fatal swamps; the soil in the main slave-holding portions of the State easily tilled, abundantly yielding; the climate temperate and invigorating. Consider the system of agriculture--not that of vast plantations, but of small farms, part of which regularly consisted of woodland and meadow that required little attention. Consider the further limitations to this system imposed by the range of the great Kentucky staples--it being in the nature of corn, wheat, hemp, and tobacco, not to yield profits sufficient to justify the employment of an immense predial force, nor to require seasons of forced and exhausting labor. It is evident that under such conditions slavery was not stamped with those sadder features which it wore beneath a devastating sun, amid unhealthy or sterile regions of country, and through the herding together of hundreds of slaves who had the outward but not the inward discipline of an army. True, one recalls here the often quoted words of Jefferson on the raising of tobacco--words nearly as often misapplied as quoted; for he was considering the condition of slaves who were unmercifully worked on exhausted lands by a certain proletarian type of master, who did not feed and clothe them. Only under such circumstances could the culture of this plant be described as "productive of infinite wretchedness," and those engaged in it as "in a continual state of exertion beyond the powers of nature to support." It was by reason of these physical facts that slavery in Kentucky assumed the phase which is to be distinguished as domestic; and it was this mode that had prevailed at the North and made emancipation easy.

James Lane Allen opens his collection with a preface that reveals an unfinished plan: each descriptive article was to be paired with a short story on the same subject, a scheme only partly realized. The resulting volume thus stands as a hybrid—part travelogue, part social sketch—in which the author's voice moves between detached observer and engaged storyteller. Readers encounter Kentucky not through a single lens but through a series of sharply focused vignettes: the blue-grass pastures, the county court day's bustling trade, the quiet routines of a Trappist monastery. Allen's prose, at once precise and evocative, captures both the region's physical beauty and the rhythms of its daily life.

Pastoral Precision and the Blue-Grass Landscape

Allen's descriptions of the Blue-Grass region rely on a careful accumulation of detail rather than broad romanticism. He notes the blue-grass itself, the sheep in woodland pasture, the negro cabins, and the cattle in a blue-grass pasture—each image rendered with a naturalist's eye. The landscape is not merely scenic but functional: the hemp field and tobacco patch are as much a part of the picture as the Harrodsburg Pike or the spring-house. This attention to the working countryside gives the prose a grounded, almost documentary quality. Allen's sentences often move from the general to the particular, as when he describes a great quadrangular pile of brick or a green inner court laid off with care. The effect is a portrait of place that feels both intimate and authoritative.

The Pace of Public Life: Court Days and Fairs

In articles such as County Court Day in Kentucky and Kentucky Fairs, Allen shifts from pastoral stillness to the rhythms of communal gathering. The court-house square becomes a stage for concluding a bargain, auctioning a jack, and swapping horses—activities rendered with a reporter's eye for gesture and transaction. The prose quickens here, matching the energy of the crowd. Allen notes the quack-doctor and the tickler, figures that add color without descending into caricature. At the fair, the judge's stand and the finish of a race are described with an almost technical precision, while stallions and mules are cataloged as products of the soil. These sections reveal Allen's interest in the intersection of commerce and community, where the pace of life accelerates into a kind of orderly chaos.

Contrasts in Silence: The Trappist Monastery

The article A Home of the Silent Brotherhood offers a striking change of pace. Here, Allen enters the Trappist monastery, a world of votive poverty and cold gray interiors. His description of the church—fine proportion in stone and gracefully disposed columns—conveys a beauty stripped of ornament. The cemetery garth, with its plain wooden crucifix marking each grave, is rendered in quiet, respectful prose. Allen notes the practice of beginning a new grave beside the one just filled, a reminder of mortality that he presents without sentimentality. The monks themselves are glimpsed through their routines: praying with wan faces or sleeping in a great upper room divided into narrow berths. This section slows the narrative to a meditative pace, contrasting sharply with the bustling court days and fairs. Allen's voice here is that of an observer who respects the silence he describes.

Allen's collection rewards readers who attend to its shifts in tempo. The same author who lingers over a spring-house or a tobacco patch can also capture the quick transactions of a horse swap or the solemn quiet of a monastery. To read these articles is to follow a writer testing his range, moving between the descriptive and the narrative, the pastoral and the social. The Blue-Grass region emerges not as a single picture but as a series of frames, each with its own pace and focus.

Reading James Lane Allen's old Kentucky scenes, I felt the quiet pull of place and time, how a landscape holds its people. That same unhurried ache came back to me opening With Rod and Line in Colorado Waters — Inside the Classic—another voice listening to water and weather, simply recording what was there before the moment slipped away.

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