With Rod and Line in Colorado Waters — Inside the Classic

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In Category - Geography
France, Lewis B., 1833-1907 Project Gutenberg 2014 Not confirmed
Colorado -- Description and travel; Fly fishing -- Colorado Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 43,612
Reading time 190 min
Text sections 5

The source record for With Rod and Line in Colorado Waters — Inside the Classic measures this digital text at 43,612 words, 3 hr 10 min estimated reading time, and 5 detected text sections.

The text analysis averages about 25.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Colorado -- Description and travel,” connecting these edition facts with the source record’s subject description.

Lewis B. France's 1884 fishing memoir blends precise observations of Colorado's waters with digressive humor and philosophical asides, shifting between lyrical nature writing and self-deprecating anecdotes.
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Editorial Edition Score 4.7/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

ected a resemblance. The mercury stood at 55° and we had lunch, taken with a healthy appetite sharpened by a three miles walk in the pure light air. Among the grand mountains of the snowy range to the north, I thought I recognized at least one familiar peak, but there was considerable difference of opinion in the party, including Gaskill, the only resident on the summit. This lack of absolute certainty struck me as a little extraordinary, because everybody is usually filled with correct information, and a mountaineer by instinct; I sighed for a tenderfoot.

Lunch concluded, we continued on our way. About three miles by the road, down the western slope, a pretty mountain brook comes tumbling down from the range, and on the bank, surrounded by wild flowers, I noticed an oblong heap of stones—the rude monument of an unfortunate Swede who perished near by early in the spring of the previous year. Frank, our driver, told us how the ill-fated Norseman had started with a companion from Billy Cozzens’ at the head of the Park. They carried nothing save their blankets slung over their shoulders. It was afternoon, and they, had “struck out” for the summit, but were met by a blinding storm; how they succeeded in making their way to within a couple of miles of their destination and safety, when the unfortunate, exhausted and discouraged, sank down into the huge drifts and to sleep; how the other, stronger and more resolute, yet powerless to arouse his dying friend, floundered back to a deserted cabin, built a fire and kept himself from freezing, unable to procure assistance till the following day. But when the news reached Cozzens’ there was no lack of quick and experienced effort, though they felt, those strong hearts, as they labored on and up through the great masses of snow, that they were going not to the rescue of a life. They hoped he might have been wise and strong enough to burrow into the drifts, but they found him with one arm clasping a small dead pine, just where his companion had left him, covered partly by the white mantle that had proved his death and his winding sheet. They who loved him best would not have selected a more inviting spot for his sepulture than did those strangers.

From this Frank drifted off to an adventure of his own and his cousin Glenn, on this same range, a few winters before. They were both mere boys, of sixteen and eighteen, “shoeing it,” each with a light pack, and determined to make the head of the Park before sundown. With the mercury rapidly going down with the sun, the lads started cheerfully over the crust and had got near the spot where the cabin was built, when, by some accident, one of Frank’s shoes snapped in two, and he plunged into the drift. The loss of a snow shoe at such a time and place was a mishap that was by no means trivial. It was simply impossible to go on; to remain, of course, was almost certain death. The boys set their wits to work, without shedding any tears. Fortunately, one of them had several balls of sacking twine, which he had bought and was carrying into the Park. Upon that slender thread hung the safety of one at least. Frank laid down on the snow, to get as much surface as possible upon the treacherous crust, and held on to the end of the string while his cousin went on till it was all paid out. Then the cousin slipped off the shoes, tied them to his end, Frank drew them up to himself, get on them, went on down past his cousin, leaving him an end of the line. When he reached his limit, he slipped off the shoes in turn, the cousin hauled them up, and so alternating, they worked their way down to the foot of the range, where the trail was partly broken.

“You bet, I was glad to see that trail,” he concluded, with a smile that had something serious in it.

Lewis B. France opens his 1884 fishing memoir not on a Colorado stream but on a memory of a barefoot boy crawling out from under a bridge forty years earlier, watching a man-of-war at anchor. That shift—from the long-ago East to the present-day Rockies—sets the pattern for a book that moves freely between precise natural description and digressive reflection. France writes of rain-soaked camps where he watches chipmunks nibble wild rye and imagines a bedraggled blackbird as the cursed jackdaw of Rheims. The prose is unhurried, often comic, and alert to the small dramas of outdoor life.

A Voice That Wanders

France’s narrative voice is the book’s most distinctive feature: it refuses to stay still. In one paragraph he describes the color of a river—‘the Grand is brown, Williams’ Fork is gold color’—and in the next he is imagining a blackbird hauled before a magistrate on a vagrancy charge. The register shifts from plain observation to literary allusion to self-mockery without warning. He quotes Holmes in the epigraph and drops references to Dickens and Herbert Spencer into a passage about rainy-day reading. The effect is not academic but playful; France seems to be talking to himself as much as to the reader. This restlessness gives the prose a conversational, almost improvisational quality, as if the act of writing were itself a kind of angling—casting out a line of thought and seeing what comes back.

The Pace of a Rainy Day

The excerpts show a writer deeply attentive to the rhythms of waiting. In the section headed ‘Meteorological,’ France spends pages under canvas watching rain fall, tracing rivulets, and noting the behavior of ground squirrels. The pacing is deliberate, even slow, matching the enforced idleness of a storm-bound camp. He does not rush to action; instead, he lets the scene expand through small details—the way a chipmunk drops from a stalk of wild rye, the glistening of raindrops on fur. This unhurried attention creates a sense of real time passing. When he finally writes ‘I want to go home,’ the frustration feels earned. The book’s structure, with chapter titles like ‘An Idle Morning at Grand Lake’ and ‘Philosophy,’ signals that France values these pauses as much as the fishing itself.

Humor as a Counterweight

France leavens his descriptive passages with a dry, self-deprecating humor. After reading Herbert Spencer’s ‘Social Statics’ in camp, he confesses that he sometimes thought the philosopher ‘must have been a very old man, in his second childhood, for instance, and troubled with dyspepsia.’ The joke is at his own expense—the angler-philosopher grappling with ideas beyond his grasp. Elsewhere, he compares the muddy Troublesome River to a substance ‘so thick that you can stick a knife into it, turn it round and see the hole.’ The exaggeration is affectionate, not dismissive. This humor prevents the book from becoming merely descriptive; it gives France a persona—the slightly hapless, endlessly curious fisherman—that makes the reader willing to follow his digressions. Even the chapter titles (‘Egotism and—Rods,’ ‘Boys and Burros’) promise a wry, informal tone.

France’s book rewards a reader who is willing to slow down. The fishing is real, but the real subject may be the mind at leisure—how it wanders, what it notices, how it turns a rainy afternoon into a small comedy. Pay attention to the asides; they are where the voice comes alive.

Some afternoons, reading France’s 1884 Colorado musings, I catch that same unhurried quiet—his rod bending over a clear stream, his laughter at himself. It reminds me of another era’s patient record, those early American letters and journals, where travel meant months, not minutes. There’s a kinship there, in how people once wrote their days. Hulme's Journal, 1818-19; Flower's Letters from Lexington and the Illinois, 1819; Flower's Letters from the Illinois, 1820-21; and Woods's Two Years' Residence, 1820-21 — Edition Insights carries that same lingering warmth, like an old friend’s handwriting.

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