The Rivers and Streams of England — Edition Insights

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In Category - Geography
Bradley, A. G. (Arthur Granville), 1850-1943, Palmer, Sutton, 1854-1933 [Illustrator] Project Gutenberg 2014 Not confirmed
England -- Description and travel; Rivers -- England Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 65,326
Reading time 285 min
Text sections 11

The Rivers and Streams of England — Edition Insights can be approached with a clearer sense of reading commitment from its source measurements: 65,326 words, 4 hr 45 min estimated reading time, and 11 detected text sections.

The text analysis averages about 32.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “England -- Description and travel,” connecting these edition facts with the source record’s subject description.

Bradley's essays on English rivers, organized by watershed, blend personal angling experience with landscape observation. The opening preface admits the difficulty of selecting from scores of streams, then proceeds to group rivers by region, favoring those he knows best. The Avon chapter exemplifies his method: mixing topography, architecture, and local history while acknowledging omissions.
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Editorial Edition Score 4.8/5

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  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)

THE RIVERS AND STREAMS OF ENGLAND

AMERICA THE MACMILLAN COMPANY 64 & 66 FIFTH AVENUE, NEW YORK

AUSTRALASIA THE OXFORD UNIVERSITY PRESS 205 FLINDERS LANE, MELBOURNE

CANADA THE MACMILLAN COMPANY OF CANADA, LTD. ST. MARTIN'S HOUSE, 70 BOND STREET, TORONTO

INDIA MACMILLAN & COMPANY, LTD. MACMILLAN BUILDING, BOMBAY 309 BOW BAZAAR STREET, CALCUTTA

THE RIVERS & STREAMS OF ENGLAND

PAINTED BY SUTTON PALMER

DESCRIBED BY A. G. BRADLEY

PUBLISHED BY 4 SOHO SQUARE

ADAM AND CHARLES LONDON, W

Though this is not a book on angling, a life-long attachment to the fly-rod on the part of the author, and to the delightful scenes into which such predilections notoriously lead one, makes it at once more difficult and more easy to write than if one were approaching the subject as a stranger to the atmosphere, and merely to "write round" the pictures Mr. Palmer has so admirably painted. But in my case it is by no means only this. A predilection for British landscape in general, and all that thereby hangs, has stimulated a far wider acquaintance with it than any mere angling rambles could achieve, and resulted in the publication of several books concerned with such things, and covering more or less about twenty counties. I feel this explanation is desirable, lest the note of intimacy with many far-sundered streams, in allusion and otherwise, that must occur in these pages may be suspect. The more so, as from the fascination of the Cook's ticket or what not, comparatively few of my countrymen have any considerable knowledge of their own land. The Rhine is certainly better known than the Wye, and the Danube probably than the Severn.

But these very experiences made the first proposal to write a book, other than a mere encyclopædia, within a brief space on such a big subject, seem almost hopeless. Rivers and streams from every direction, by scores, came surging out upon the memory at the very thought of it, in quite distracting fashion. It was finally agreed, however, that the literary part of the book should take shape in a series of essays or chapters dealing with the rivers mainly in separate groups or water-sheds, leaving the proportions to my discretion. Capricious in a measure this was bound to be. Selection was inevitable. It is not of supreme importance. _Caeteris paribus_, and without diverging more than necessary from the skilful illustrator, I have dealt more freely with the rivers I know best, and also with those I hold to be more worthy of notice. There are, of course, omissions, this book being neither a guide nor an encyclopædia, but rather a collection of descriptive essays and of water-colour sketches covering, though necessarily in brief, most of the groups. In this particular subject there is happily no need for author and illustrator to keep close company in detail. What inspires the pen, and in actual survey stirs the blood, is often unpaintable. What makes a delightful picture, on the other hand, tells sometimes but a dull tale in print. I have had to leave to the artist's capable brush, owing to the necessary limitations of the letterpress, several subjects; a matter, however, which seems to me as quite immaterial to the general purport of the book, as it is unavoidable. But otherwise I think we run reasonably together. At first sight the omission of the Thames in description may seem outrageous. A moment's reflection, however, will, I am sure, conduce to a saner view. Illustration is wholly another matter; but to attempt ten or fifteen pages on that great and familiar river, dealt with, too, in bulk and brief by innumerable pens, that could serve any purpose or gratify any reader, seems to me a fatuous undertaking. The Severn, on the other hand, as great, almost as important as the Thames, and still more beautiful, is by comparison an absolutely unknown river, and we have given it the first place.

THE BORDER RIVERS 101

THE RIVERS OF DEVON 161

THE RIVERS OF THE SOUTH-EAST 209

THE YORKSHIRE DALES 227

AN EAST ANGLIAN RIVER 269

LIST OF ILLUSTRATIONS

1. The Derwent, High Tor, Matlock _Frontispiece_

FACING PAGE 2. The Severn, near Arley, Shropshire 6

3. The Severn, Bridgenorth, Shropshire 18

4. The Severn, near Cam, Gloucestershire 30

5. Chepstow with Wye and Severn 34

6. The Wye, Haddon Hall, Derbyshire 38

7. The Wye, Hay, Breconshire 40

8. The Wye, Ross, Herefordshire 46

9. The Monnow, Old Bridge, Monmouth 52

10. The Wye, Symond's Yat, Herefordshire 60

11. The Wye, Tintern, Monmouthshire 62

12. The Thames, looking towards Henley 64

13. The Avon, near Salisbury 66

14. The Thames, the Bells of Ouseley, Old Windsor 70

15. Stapleford on the Wiley 82

16. The Itchen, St. Cross, Winchester 88

17. The Itchen, and St. Giles' Hill, Winchester 94

18. The Dove, Dovedale, Derbyshire 100

19. The Tyne, Hexham, Northumberland 102

20. The Coquet, and Warkworth Castle, Northumberland 124

Bradley opens his preface with a frank admission: a lifelong attachment to the fly-rod makes writing about rivers both harder and easier. He knows the scenes intimately, but the sheer number of streams—'surging out upon the memory'—threatens to overwhelm any concise treatment. The solution is a series of essays grouped by watershed, with proportions left to his discretion. He warns that selection is inevitable and capricious, and that he will deal more freely with rivers he knows best.

This personal, almost apologetic tone sets the stage. Bradley is not compiling an encyclopedia; he is offering a guided tour by a knowledgeable companion. The reader should expect digressions, comparisons, and a strong sense of place filtered through one man's experience.

The Preface as a Roadmap

The preface is essential for understanding Bradley's method. He explicitly states that the book is not a mere encyclopedia, but a series of essays. He also reveals his bias: a 'life-long attachment to the fly-rod' and a predilection for British landscape. This explains why certain rivers receive more attention—he knows them from angling rambles. He also notes that many of his countrymen know the Rhine better than the Wye, implying his book aims to redress that ignorance. The preface thus functions as a disclaimer and an invitation: expect a personal, selective, and opinionated journey.

The Avon as a Case Study in Selection

The excerpt on the North Wilts Avon illustrates Bradley's approach. He acknowledges that the other Wiltshire Avon (the chalk stream) has already claimed much notice in a previous chapter, so he will not duplicate. Instead, he focuses on the Bristol Avon, noting its tidal reaches and its role as 'the life-blood of the great port of Bristol.' But he quickly moves beyond harbourage to describe the scenery above the tidal ways: Bradford's Saxon church, the Tudor mansion at Westwood, the Clifton suspension bridge. He weaves in architectural and historical notes—Malmesbury Abbey, Lacock village, country houses from Tudor to Georgian—and offers a reason for their abundance. The passage demonstrates how Bradley uses a river as a thread to connect landscape, architecture, and history.

The Role of the Illustrator

Bradley acknowledges Sutton Palmer's illustrations as the initial impetus for the book. He writes that the literary part was to 'take shape in a series of essays … leaving the proportions to my discretion,' but also that he has tried not to diverge 'more than necessary from the skilful illustrator.' This suggests a collaborative tension: the pictures likely dictated some of the river choices, while Bradley's own knowledge filled in the rest. Readers should be aware that the text and images are meant to complement each other, and that the selection of rivers may partly reflect what Palmer painted.

Omissions and the Reader's Role

Bradley is candid about omissions. He states that 'this book being neither a guide nor a gazetteer,' some rivers are left out. He also notes that the harbourage aspect of rivers does not come within his survey. This means the reader should not expect comprehensive coverage of every English river, nor detailed information about ports and shipping. Instead, the book is a personal selection, and the reader is invited to fill gaps with their own knowledge or curiosity. Bradley's tone is that of a companion, not an authority, and he expects the reader to engage actively with the text, perhaps using it as a starting point for further exploration.

Bradley's essays reward a patient, attentive reading. His digressions are not random; they follow the logic of a river's course and its associations. The preface sets expectations, and the chapters deliver on them with a mix of observation, anecdote, and quiet opinion. For a first reading, pay attention to how Bradley balances description of the river itself with the human and historical landscape along its banks. The result is less a guidebook than a series of meditations on place, best enjoyed at leisure.

I’ve been thinking about how Bradley circles the same riverbanks, content to let a place reveal itself slowly. It reminded me of a quiet journal from another era, someone simply noting what she saw in France, day by day. That same patience lives there—no rush to conclude, just observation settling like water. The Diary of a Girl in France in 1821 — Background and Themes has that gentle way of holding time still.

Grayson Clark
1 month ago

Aria Lewis
1 month ago

David Robinson
1 month ago

Noah Lopez
1 month ago

4.5
4.5 out of 5 (4 User reviews )

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    Joshua Simpson - 1 month ago
    This book is disappointingly dry and academic. Despite the promising title, it reads more like a catalogue than a narrative. The chapters are short and fact-heavy, lacking any real storytelling or vivid description. I found it hard to maintain interest and would not recommend it to casual readers looking for an engaging natural history.

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    Randall Bean - 4 weeks ago
    A well-researched book that covers many of England's rivers, providing a mix of geography, history, and anecdote. It's quite comprehensive, but sometimes feels a bit list-like. I would have preferred more depth on fewer rivers. Still, a decent reference for those interested in the subject.

  • ...
    Bradley Short - 3 weeks ago
    An absolutely delightful and informative read! The author's love for England's rivers and streams shines through every page. I loved learning about the history, ecology, and local legends associated with each waterway. The prose is lyrical and evocative, making me feel like I was journeying along the banks myself. A perfect book for nature lovers and armchair travelers.


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