The Last Days of Pekin — Inside the Classic
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o one to be seen in the long devastated streets where the framework of the houses, as well as the tiles and the bricks, had tumbled down. Crows croaked in the silence. Horrible dogs who feed on the dead fled before us, hanging their tails. We had glimpses of Chinese prowlers, wretched-looking creatures, trying to find something to steal, or of some of the dispossessed timidly creeping along the walls attempting to find out what has become of their homes.
The sun is already low, and the wind is rising as it does every night. We shiver with the sudden cold. Empty houses fill the shadows.
These houses are all of considerable extent, with recesses, a succession of courts, rock work, basins, and melancholy gardens. Crossing the threshold, guarded by the ever-present granite monsters worn by the rubbing of hands, one finds oneself in an endless series of apartments. The intimate details of Chinese life are touchingly and graciously revealed by the arrangement of potted plants, flowerbeds, and little balconies where bindweed and other vines are trained.
Here, surrounded with playthings, is a poor doll, which doubtless belonged to some child whose head has been broken; there a cage hangs with the bird still in it, dried up in one corner with its feet in the air.
Everything is sacked, removed, or destroyed; furniture is broken, the contents of drawers thrown about the floors, papers, blood-stained clothing, Chinese women's shoes spattered with blood, and here and there limbs, hands, heads, and clumps of hair.
In certain of the gardens neglected plants continue to blossom gaily, running over into the walks amongst the human remains. Around an arbor which conceals the body of a woman, twines pink convolvulus in blossoming garlands. The blossom is still open at this late hour of the day and in spite of the cold nights, which quite upsets our European ideas of convolvulus.
In one of the houses back in a recess in a dark loft, something moves! Two women cower pitifully! Finding themselves discovered, they are seized with terror and fall at our feet, trembling, weeping, clasping their hands, and begging for mercy. One is young, the other older, and they look alike. Mother and daughter! "Pardon, sir, pardon; we are afraid," translates little Toum naïvely, understanding their broken words. Evidently they expect the worst of us--and then death. For how long have they lived in this hole, these two poor things, thinking with each step that resounds on the pavement of the deserted court that their end has come? We leave them a few pieces of silver, which perhaps humiliates without helping them, but it is all that we can do, and then we go.
Another house, a house of the rich this one is, with a profusion of potted plants in enamelled porcelain jars in the sad little garden. In an apartment that is already dark (for decidedly night is coming on, the uncertainty of twilight is beginning), but where the havoc is less extensive, for there are great chests and beautiful arm-chairs still intact, Osman suddenly recoils with terror before something which emerges from a bucket placed upon a board. Two torn thighs, the whole lower part of a woman thrust into this bucket with the feet in the air! Undoubtedly the mistress of this elegant home. Her body? Who knows what has been done with the body? But here is the head, under this arm-chair, near the skeleton of a cat. The mouth is open, showing the teeth, and the hair is long.
In addition to the broad, almost straight streets whose desolation is visible from one end to the other, there are little tortuous streets leading up to gray walls. They are the most desolate to enter at this twilight hour, with only the cry of the crow as an accompaniment. Little stone gnomes guard their mysterious doors, and their pavements are strewn with human heads with long queues. One approaches certain turns in the streets with a heavy heart. It is over, and nothing in the world would tempt us to enter again at this hour one of those frightfully still houses where one meets with so many gruesome encounters.
We had gone far into the city before night came on, and the silence had become intolerable. We return to the region where the troops are quartered, cut by the north wind and chilled by the cold and gloom; our return is rapid; broken china and other débris impossible to define crackle under our feet.
The banks are lined with soldiers warming themselves and cooking their suppers over bright fires, where they are burning chairs, tables, and bits of carved wood or timbers. Coming out of the Dantesque streets, it all bespeaks joy and comfort to us.
Near our junk there is a canteen, improvised by a Maltese, where intoxicants are sold to soldiers. I send my men to get whatever liquors they want for our supper, for we need something to warm and cheer us if possible. We celebrate with smoking soup, tea, chartreuse, and I don't know what besides, in our little matting-covered dwelling, tied up this time on the pestilential mud and enveloped as usual by cold and darkness.
At dessert, when the hour for smoking arrives in our sarcophagus, Renaud, to whom I have given the floor, tells us that his squadron is encamped on the borders of a Chinese cemetery in Tien-Tsin, and that the soldiers of another European nation (I prefer not to say which) in the same vicinity spend their time ransacking the graves and taking from them the money which it is the custom to bury with the dead.
"To me, colonel" (I am colonel to him, as he is ignorant of the naval appellation of _commandant_, which, with us, goes with five gold stripes), "to me it does not seem right. Even though they are Chinese, we ought to leave their dead in peace. What disgusts me is that they cut their rations up on the planks of the coffins. And I say to them, 'Put it on the outside if you will, but not on the inside, which has touched the corpse.' But these savages, colonel, laugh at me."
THURSDAY, October 18.
It is a surprise to awaken to a dark and sombre sky. We counted upon having, as on the preceding mornings, the almost never clouded autumn and winter sun, which in China shines and warms even when everything is frozen hard, and which has, up to this time, helped us to support the gruesome sights of our journey.
When we open the door of the junk just before dawn, our horses and cart are there, having just arrived. On the forbidding shore some Mongolians with their camels are crouched about a fire which has burned all night in the dust; and behind their motionless groups the high walls of the city, of an inky blackness, rise to meet the low-hanging clouds.
We leave our small nomadic equipment in the junk, in the care of two marines of the Tong-Tchow division, who will look after it until our return, and also our most precious possession, the last of the bottles of pure water given us by the general.
The last stage of our journey is made in the company of the French consul-general at Tien-Tsin and of the chancellor of the legation, who are both bound for Pekin, under the escort of a marshal and three or four artillerymen.
Our long, monotonous route leads us across fields of sorghos reddened by the early frosts, and through deserted villages where no one is stirring. It is a cold, gray morning, and the autumn country, upon which a fine rain is falling, is in mourning.
At certain moments I almost fancy myself on the roads of the Basque country in November, amid the uncut maize. Then all at once some unknown symbol arises to recall China,--either a tomb of mysterious shape or a stele mounted upon enormous granite tortoises.
From time to time we meet military convoys of one nation or another, or lines of ambulances. In one place some Russians have taken shelter from a shower in the ruins of a village; in another a number of Americans, who have discovered some hidden clothing in an abandoned house, go on their way rejoicing, with fur mantles on their backs.
Then there are tombs, always tombs, from one end to the other; China is strewn with them; some are almost hidden by the roadside, others are magnificently isolated in enclosures which are like mortuary thickets of dark green cedars.
Ten o'clock. We should be approaching Pekin, although as yet nothing indicates its nearness. We have not seen a single Chinese since our departure; the whole country is deserted and silent under a veil of almost imperceptible rain.
We are going to pass not far from the tomb of an empress, it seems, and the French chancellor, who knows the neighborhood, proposes that he and I make a détour to look at it. So, leaving the others to continue their route, we take a side path through the tall, damp grass.
A canal and a pool soon appear, of a pale color, under the indefinite sky. There is no one to be seen anywhere; the sad quiet of a depopulated country prevails. The tomb on the opposite bank scarcely peeps out from its cedar wood, which is walled about on all sides. We see little but the first marble gates leading to it and the avenue of white stele which is finally lost under the mysterious trees. It is all rather distant, and is reproduced in the mirror of the pool in long inverted reflections. Near us the tall leaden stems of some lotus killed by the frost bend over the water, where the rain drops have traced faint rings. The whitish spheres seen here and there are heads of the dead.
When we rejoin our company they promise that we shall enter Pekin in half an hour. After the complications and delays of our journey we almost believe we shall never arrive. Besides, it is incredible that so large a city could be so near in this deserted country, such a little way ahead of us.
"Pekin does not proclaim itself," explains my new companion. "Pekin takes hold of you; when you perceive it you are there."
The road passes through groups of cedars and willows with falling leaves, and in the concentration of our effort to see the City Celestial we trot on in the fine rain, which does not wet us at all, so drying are the northern winds, carrying the dust always and everywhere; we trot on without speaking.
"Pekin!" suddenly exclaims one of our companions, pointing out an obscure mass just rising above the trees,--a crenellated dungeon of superhuman proportions.
Pekin! In a few seconds, during which I am feeling the spell of this name, a big gloomy wall, of unheard-of height, is disclosed, and goes on endlessly in the gray, empty solitude, which resembles an accursed steppe. It is like a complete change of scene, performed without the noise of machinery or the sounds of an orchestra, in a silence more impressive than any music. We are at the very foot of the bastions and ramparts, dominated by them, although a turn in the road had up to this moment concealed them. At the same time the rain is turning to snow, whose white flakes mingle with the suspended dirt and dust. The wall of Pekin overwhelms us, a giant thing of Babylonian aspect, intensely black under the dead light of a snowy autumn morning. It rises toward the sky like a cathedral, but it goes on; it is prolonged, always the same, for miles. Not a person on the outskirts of the city, not a green thing all along these walls! The ground is uneven, dusty, ashen in color, and strewn with rags, bones, and even an occasional skull! From the top of each black battlement a crow salutes us as we pass, cawing mournfully.
The clouds are so thick and low that we do not see clearly; we are oppressed by long-looked-for Pekin, which has just made its abrupt and disconcerting appearance above our heads; we advance to the intermittent cries of the crows, rather silent ourselves, overpowered at being there, longing to see some movement, some life, some one or some thing come out from these walls.
From a gate ahead of us, from a hole in the colossal enclosure, slowly emerges an enormous brown, woolly animal like a gigantic sheep; then two, then three, then ten. A Mongolian caravan begins to pass us, always in the same silence, broken only by the croakings of the ravens. These enormous Mongolian camels, with their furry coats, muffs on their legs, and manes like lions, file in an endless procession past our frightened horses. They wear neither bells nor rattles, like the thin beasts of the Arabian deserts; their feet sink deep into the sand, which muffles their footsteps so the silence is not broken by their march.
Perceived through a veil of fine snow and black dust, the caravan has passed us, and moves on without a sound, like a phantom thing. We find ourselves alone again, under this Titanic wall, from which the crows keep watch. And now it is our turn to enter the gloomy city through the gates by which the Mongolians have just passed out.
AT THE FRENCH LEGATION
Here we are at the gates, the double triple gates, deep as tunnels, and formed of the most powerful masonry,--gates surmounted by deadly dungeons, each one five stories high, with strange curved roofs,--extravagant dungeons, colossal black things above a black enclosing wall.
Our horses' hoofs sink deeper and deeper, disappear, in fact, in the coal-black dust, which is blinding and all-pervading, in the atmosphere as well as on the ground, in spite of the light rain and the snowflakes which make our faces tingle.
Noiselessly, as though we were stepping upon wadding or felt, we pass under the enormous vaults and enter the land of ruin and ashes.
A few slatternly beggars shivering in corners in their blue rags, a few corpse-eating dogs, like those whose acquaintance we have already made _en route_,--and that is all. Silence and solitude within as well as without these walls. Nothing but rubbish and ruin, ruin.
The land of rubbish and ashes, and little gray bricks,--little bricks all alike, scattered in countless myriads upon the sites of houses that have been destroyed, or upon the pavement of what once were streets.
Little gray bricks,--this is the sole material of which Pekin was built; a city of small, low houses decorated with a lacework of gilded wood; a city of which only a mass of curious débris is left, after fire and shell have crumbled away its flimsy materials.
We have come into the city at one of the corners where there was the fiercest fighting,--the Tartar quarter, which contained the European legations.
Long straight streets may still be traced in this infinite labyrinth of ruins; ahead of us all is gray or black; to the sombre gray of the fallen brick is added the monotonous tone which follows a fire,--the gloom of ashes and the gloom of coal.
Sometimes in crossing the road they form obstacles,--these tiresome little bricks; these are the remains of barricades where fighting must have taken place.
After a few hundred metres we enter the street of the legations, upon which for so many months the anxious attention of the whole world was fixed.
Everything is in ruins, of course; yet European flags float on every piece of wall, and we suddenly find, as we come out of the smaller streets, the same animation as at Tien-Tsin,--a continual coming and going of officers and soldiers, and an astonishing array of uniforms.
A big flag marks the entrance to what was our legation, two monsters in white marble crouch at the threshold; this is the etiquette for all Chinese palaces. Two of our soldiers guard the door which I enter, my thoughts recurring to the heroes who defended it.
We finally dismount, amid piles of rubbish, in an inner square near a chapel, and at the entrance to a garden where the trees are losing their leaves as an effect of the icy winds. The walls about us are so pierced with balls that they look like sieves. The pile of rubbish at our right is the legation proper, destroyed by the explosion of a Chinese mine. At our left is the chancellor's house, where the brave defenders of the place took refuge during the siege, because it was in a less exposed situation. They have offered to take me in there; it was not destroyed, but everything is topsy-turvy, as though it were the day after a battle; and in the room where I am to sleep the plasterers are at work repairing the walls, which will not be finished until this evening.
As a new arrival, I am taken on a pilgrimage to the garden where those of our sailors who fell on the field of honor were hastily buried amid a shower of balls. There is no grass here, no blossoming plants, only a gray soil trampled by the combatants,--crumbling from dryness and cold,--trees without leaves and with branches broken by shot, and over all a gloomy, lowering sky, with snowflakes that are cutting.
We remove our hats as we enter this garden, for we know not upon whose remains we may be treading. The graves will soon be marked, I doubt not, but have not yet been, so one is not sure as one walks of not having under foot some one of the dead who merits a crown.
In this house of the chancellor, spared as by a miracle, the besieged lived helter-skelter, slept on a floor space the size of which was day by day decreased by the damage done by shot and shell, and were in imminent danger of death.
In the beginning--their number, alas, rapidly diminished--there were sixty French sailors and twenty Austrians, meeting death, side by side, with equally magnificent courage. To them were added a few French volunteers, who took their turns on the barricades or on the roofs, and two foreigners, M. and Madame Rosthorn of the Austrian legation. Our officers in command of the defence were Lieutenant Darcy and midshipman Herber; the latter was struck full in the face by a ball, and sleeps to-day in the garden.
The horrible part of this siege was that no pity was to be expected from the besiegers, if, starved, and at the end of their strength, it became necessary for the besieged to surrender, it was death, and death with atrocious Chinese refinements to prolong the paroxysms of suffering.
Neither was there the hope of escape by some supreme sortie; they were in the midst of a swarming city, they were enclosed in a labyrinth of buildings that sheltered a crowd of enemies, and were still further imprisoned by the feeling that, surrounding them, walling in the whole, was the colossal black rampart of Pekin.
It was during the torrid period of the Chinese summer; it was often necessary to fight while dying of thirst, blinded by dust, under a sun as destructive as the balls, and with the constant sickening fear of infection from dead bodies.
Yet a charming young woman was there with them,--an Austrian, to whom should be given one of our most beautiful French crosses. Alone amongst men in distress, she kept an even cheerfulness of the best kind, she cared for the wounded, prepared food for the sick sailors with her own hands, and then went off to aid in carrying bricks and sand for the barricades or to take her turn as watch on the roof.
Day by day the circle closed in upon the besieged as their ranks grew thinner and the garden filled with the dead; gradually they lost ground, although disputing with the enemy, who were legion, every piece of wall, every pile of bricks.
And when one sees their little barricades hastily erected during the night out of nothing at all, and knows that five or six sailors succeeded in defending them (for five or six toward the end were all that could be spared), it really seems as though there were something supernatural about it all. As I walked through the garden with one of its defenders, and he said to me, "At the foot of that little wall we held out for so many days," and "In front of this little barricade we resisted for a week," it seemed a marvellous tale of heroism.
Pierre Loti's The Last Days of Pekin opens with a dedication to Vice-Admiral Pottier, revealing the book's origin as daily notes sent to Figaro during a campaign. Loti admits the collection may contain repetition, written amid the excitement of shipboard life. He restricts himself to personal observations during missions assigned by the admiral, noting that Pekin had already fallen when they reached the Yellow Sea. The tone is set by his concern for the sailors left behind, whose obscure hardships he contrasts with the responsibilities of superiors. This framing immediately establishes the work as a subjective, episodic record rather than a comprehensive history.
A Diary of Occupation
The text is structured as dated entries, beginning with Thursday, October 25, where Loti describes working alone in the Rotunda Palace with only his cat for company. This intimate detail grounds the narrative in a specific time and place. The diary format allows Loti to shift between personal reflection and reportage, as when he visits Monsignor Favier, the Bishop of Pekin. The bishop's room, pierced by a cannon-ball, contains Chinese bibelots he is selling to feed refugees. Loti notes that Favier cut off his queue after hostilities against Christians, a detail that underscores the political shifts. The entry conveys the aftermath of siege through concrete objects and conversations.
Voices from the Siege
Loti's account of his visit to Favier includes the bishop's low-toned narrative of the defence: fourteen hundred metres of wall held by a young ensign and thirty sailors against thousands. The story is relayed secondhand, with Loti emphasizing the need to record it in letters of gold. He specifies that the sailors were not picked men but chosen hap-hazard, and that an officer and ten Italian soldiers also fought, leaving six dead. The passage highlights the heroism of Chinese Christians, both Catholic and Protestant, who sought protection. Loti's language grows warmer as he recounts the defence, yet he remains an observer, not a participant.
The Weight of Atmosphere
Throughout the excerpts, Loti pays close attention to sensory details: the red sun setting behind the Lake of the Lotus, the dusty cathedral seen as through a fog, the cold and horrors shut off by panes of glass. These observations create a mood of melancholy and decay. The setting is not merely described but felt—the imperial silks and cushions contrast with the violence outside. Loti's prose often juxtaposes beauty with ruin, as when he notes the cathedral riddled with balls yet newly built. This technique gives the reader a visceral sense of Pekin's transformation under occupation.
Limits of Perspective
Loti is candid about his restricted viewpoint. He writes only of what he observed during missions assigned to him, and he acknowledges that the war was over by the time he arrived. His focus on the French and allied forces leaves Chinese perspectives largely absent, except through the bishop's account of Christian refugees. The dedication admits the book may contain repetition, and the diary form reinforces its fragmentary nature. Readers should approach the text as a personal document shaped by Loti's role as an aide-de-camp, not as a comprehensive history of the siege or of Beijing itself.
Loti's The Last Days of Pekin rewards readers who attend to its diaristic structure and sensory detail. The book's value lies not in grand narrative but in the accumulation of small observations—a cat in a palace, a bishop selling bibelots, sailors chosen hap-hazard. Because the excerpts are incomplete, the full scope of Loti's journey remains unknown, but the available text offers a vivid, if partial, record of a city in transition. Read it as a travelogue shaped by war, not a history of the Boxer Rebellion.
Reading Loti’s ruin-filled diary, I remembered standing in a mountain holler where the past felt equally heavy, yet alive. There is a strange kinship between Pekin’s scorched palaces and those old Carolina ridges—both places where loss lingers like weather. The Heart of the Alleghanies; or, Western North Carolina — Reading Notes once gave me that same ache, of watching silence hold what people left behind.
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