The Land's End: A Naturalist's Impressions In West Cornwall, Illustrated — Story, Setting & Ideas

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Hudson, W. H. (William Henry), 1841-1922, Collins, A. L. [Illustrator] Project Gutenberg 2015 Not confirmed
Cornwall (England : County) -- Description and travel; Natural history -- England -- Cornwall (County); Land's End (England) Readers of public-domain and historical texts
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Words 85,895
Reading time 374 min
Text sections 10

The source record for The Land's End: A Naturalist's Impressions In West Cornwall, Illustrated — Story, Setting & Ideas measures this digital text at 85,895 words, 6 hr 14 min estimated reading time, and 10 detected text sections.

The text analysis averages about 34.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Cornwall (England : County) -- Description and travel,” connecting these edition facts with the source record’s subject description.

Hudson's naturalist impressions of West Cornwall, focusing on wildlife, landscapes, and local character, with observations on gulls, jackdaws, hedges, and Cornish humour, illustrated by A. L. Collins.
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They were two sisters, aged eight and nine respectively, and their little brother, about six or seven years old. They rambled along the rough heath by Carbis Bay to the Towans, near Lelant, where, climbing about among the sand-hills, they lost all sense of direction. There meeting a man who spoke roughly to them and ordered them home they became terrified and ran away to the sea-front, and, climbing down the cliff, hid themselves in a cave they found there. By and by it began to grow dark, and there were sounds above as of loud talking and shouts and of a galloping horse, all which added to their fear and caused them to go further into their dark wet house of refuge. They did not know, poor children, that the cries were uttered by those who were seeking for them! After dark the tide rose and covered the sandy floor of the cave, and to escape it they climbed on to a rocky shelf where they could keep dry, and there huddled together to keep warm, and being very tired, they eventually fell asleep. In the morning when it grew light the sisters woke, stiff and cold, to find that their poor little brother had fallen from the ledge in his sleep and had been carried out by the sea. His body was recovered later. The two survivors, now middle-aged women, still live in the town.

The most interesting hour of the day at St. Ives was in the afternoon or evening, the time depending on the tide, when the men issued from their houses and came lurching down the little crooked stone streets and courts to the cove or harbour to get the boats out for the night's fishing. It is a very small harbour in the corner of the bay-a roughly shaped half-moon with two little stone piers for horns, with just room enough inside to accommodate the fleet of about 150 boats. The best spectacle is when they are taken out at or near sunset in fair weather, when the subdued light gives a touch of tenderness and mystery to sea and sky, and the boats, singly, in twos and threes, and in groups of half a dozen, drift out from the harbour and go away in a kind of procession over the sea. The black forms on the moving darkening water and the shapely deep-red sails glowing in the level light have then a beauty, an _expression_, which comes as a surprise to one unaccustomed to such a scene. The expression is due to association-to vague suggestions of a resemblance in this to other scenes. We may be unable to recall them; the feeling returns but without the mental image of the scene which originally produced it. It was not until I had watched the boats going out on two or three successive evenings that an ancient memory returned to me.

Sitting or walking by the margin of some wide lake or marsh in a distant land, I am watching a company of birds of some large majestic kind-stork, wood-ibis, or flamingo-standing at rest in the shallow water, which reflects their forms. By and by one of the birds steps out of the crowd and moves leisurely away, then, slowly unfolding his broad wings, launches himself on the air and goes off, flying very low over the water. Another follows, then, after an interval, another, then still others, in twos and threes and halfdozens, until the last bird has opened his wings and the entire flock is seen moving away in a loose procession over the lake.

Just in that way did the crowd of boats move by degrees from their resting-place, shake out their wing-like sails, and stream away over the sea.

That was one scene; there were faint suggestions of many others, only a few of which I could recover; one was of large, dark red-winged butterflies, seen at rest with closed wings, congregated on wind-swayed reeds and other slender plants. It was the shape and deep red colour of the sails and the way they hung from the masts and cordage which restored this butterfly picture to my mind. And in every instance in which a resemblance could be traced it turned out to be to some natural and invariably to a beautiful object or scene. The spectacle had, in fact, that charm, which is so rare in man's work, of something wholly natural, which fits into the scene and is part and parcel with nature itself.

In buildings we get a similar effect at the two extremes-in the humblest and the highest work of man's hands; in the small old thatched and rose-and creeper-covered cottage in perfect harmony with its surroundings, and in ancient majestic castles and cathedrals, in which the sharp lines and contours have been blurred by decay of the material and the whole surface weathered and stained with lichen and alga and in many cases partially draped with ivy.

It struck me before I had been long in St. Ives that, in spite of the delightful mildness of the climate and the charm of the place, nobody but myself was wintering there. The lodging-houses were quite empty; the people were the natives or else the artists, who form a pretty numerous colony. The few others to be seen were visitors for the day from Penzance, Falmouth, or some other spot in the "Cornish Riviera." This was not a cause of regret, seeing there were birds for society, especially that old favourite, the jackdaw.

Doubtless he is to be seen there all the year round as he is so common a town bird all over the country, but at St. Ives many of the cliffbreeding daws settle down regularly for the winter and exist very comfortably on the fish and other refuse thrown into the streets. Very soon I established a sort of friendship with a few of these birds; for birds I must have, in town or country-free birds I mean, as the captive bird only makes me melancholy--and in winter I feed them whether they are in want or not. It is an old habit of mine, first practised in early life in June and July, the cold winter months in the southern hemisphere, in a land where the English sparrow was not. Now, unhappily, he is there and a great deal too abundant. I fed a better sparrow in those vanished days, smaller and more prettily shaped than our bird, with a small crest on his head and a sweet delicate little song. But in England one really gets far more pleasure from feeding the birds on account of the number of different species which are willing to be our pensioners. At St. Ives I first stayed at a house in The Terrace facing the sea-front, and there were no gardens there, so that I had to feed them out in the road. First there were only sparrows, then a pair of jackdaws turned up, and soon others joined them until I had about a score of them. By and by a very big shaggy sheep-dog, belonging to a carter, discovered that there was food to be got at eight o'clock at that spot in the road, and he too came very punctually every day and thoughtlessly gobbled it all up himself. After two or three days of this sort of thing, I felt that it ought not to be allowed to continue, and as the daws were of the same mind and loyally seconded my efforts to stop it we were soon successful. My plan was to go out and scatter the scraps and crusts far and wide over the road, and while the greedy dog galloped about from crust to crust the daws, hovering overhead, dropped down and snatched them one by one away before he could reach them.

Later, when leaving St. Ives, I asked the landlady to explain to the birds on the following morning the reason of there being nothing for them, and to request them to go quietly away. They were very intelligent, I said, and would understand; but on my return, a month later, she said they had not understood the message, or had not believed her, as they had continued to come for several mornings, and had seemed very much put out. It was plain they had kept an eye on that house during my absence, for on going out with scraps on the morning after my return they promptly reappeared in full force on the scene.

There are few persons to feed the birds in those parts, and those few, I fancy, are mostly visitors from other counties. It amused me to see how the natives regarded my action; the passer-by would stop and examine the scraps or crusts, then stare at me, and finally depart with a puzzled expression on his countenance, or perhaps smiling at the ridiculous thing he had witnessed.

The following winter (1906-7) I found a lodging in another part of the town, in a terrace rather high up, where I could look from my window at the Bay over the tiled roofs of the old town. Here I had a front garden to feed the birds in, and, better still, the entire jackdaw population of St. Ives, living on the roofs as is their custom, were under my eyes and could be observed very comfortably. I discovered that they filled up a good deal of their vacant time each morning in visiting the chimneys from which smoke issued, just to inform themselves, as it seemed, what was being cooked for breakfast. This was their pastime and watching them was mine. Numbers of daws would be seen, singly, in pairs, and in groups of three or four to half a dozen, sitting on the roofs all over the place. As the morning progressed and more and more chimneys sent out smoke, they would become active visiting the chimneys, where, perching on the rims, they would put their heads down to get the smell rising from the pot or frying-pan on the fire below. If a bird remained long perched on a chimney-pot, his neighbours would quickly conclude that he had come upon a particularly interesting smell and rush off to share it with him. When the birds were too many there would be a struggle for places, and occasionally it happened that a puff of dense black smoke would drive them all off together.

A dozen incidents of this kind could be witnessed any morning, and I was as much entertained as if I had been observing not birds but a lot of lively, tricky little black men with grey pates inhabiting the roofs. One morning when watching a pair perched facing each other on a chimney-top their movements and gestures made me imagine that I knew just what they were saying.

First one leaning over the rim would thrust his head down into the smoke and keep it there some time, the other would follow suit, then pulling themselves up they would stare at each other for half a minute, then poke their heads down again.

"A funny smell that!" one says. "I can't quite make it out, and yet I seem to know what it is."

"Red herring," suggests the other.

"Nonsense! I know _that_ smell well enough. But I grant you it's just a little like it, only-what shall I say?-this is a _thicker_ sort of smell."

"I'll just have another good sniff," says the second bird. "H'm! I wonder if it's some very old pilchards they've found stowed away in some corner?"

"No," says the first bird, pulling his head out of the smoke and blinking his wicked little grey eyes. "It isn't pilchards. Just one more sniff. I've got it! A very old piece of dry salted conger they're broiling on the coals."

"By Jove, you're right this time! It is a good thick smell! I only wish I could drop down the flue, snatch up that bit of conger, and get clear away with it."

"You'd soon have a jolly lot of jacks after you, I fancy. Hullo! what are those fellows making such a to-do about--down there on that chimney-pot? Let's go and find out."

And away they fly, to drop down and fight for places among the others.

CHAPTER II GULLS AT ST. IVES

_Gulls in fishing harbours--Their numbers and beautiful appearance at St. Ives--Different species--Robbing the fishermen--How they are regarded--The Glaucous gull or Burgomaster--Cause of the fishermen's feeling--A demonstration of hungry gulls--A gull tragedy._

|TO a bird lover the principal charm of St. Ives is in its gull population. Gulls greatly outnumber all the other wild birds of the town and harbour put together, and though they have not the peculiar fascination of the jackdaw, which is due to that bird's intelligence and amusing rascalities, they are very much more beautiful.

Of all feathered creatures gulls are ever the quickest to discover food thrown accidentally in their way by man. In many lands, crows, vultures, carrion hawks, and omnivorous feeders generally acquire the habit of watching the movements of the human hunter and of travellers in desert places for the sake of his leavings.

In the gulls this habit is universal; their "wide eyes that search the sea" have discovered that where there is a ship or boat something may be picked up by following it, and in all lands where there is a plough to share(s.p.) the soil the plougher is pretty sure to have a following of gulls at his heels. In harbours they are much at home, but are especially attracted to a fishing town, and it would be hard to find one where they make a better appearance than at St. Ives. But not solely on account of their numbers and tameness, since they congregate at all fishing stations and are just as tame and abundant elsewhere. At St. Ives they make a better show because of the picturesque character of the place itself--the small harbour, open to the wide blue bay and the Atlantic, crowded with its forest of tall slim masts resembling a thick grove of larches in winter, while for background there is the little old town, its semicircle of irregular quaint and curious stone-grey and tile-red buildings.

The gulls that congregate here are of several kinds: on most days one can easily count five species, the most abundant being the herring and the lesser black-backed gulls, and with them you generally see one or two great black-backs. Then there are the two small species, the common and the black-headed gull. These, when it comes to a general scramble for the small fishes and other waste, are mere pickers-up of unconsidered trifles on the outskirts of the whirlwind of wings, the real fighting area, and their guttural cries--a familiar sound to Londoners in winter--are drowned in the tempest of hard, piercing, and grinding metallic noises emitted by the bigger birds.

All this noise and fury and scurry of wings of innumerable white forms, mixed up with boats and busy shouting men, comes to be regarded by the people concerned as a necessary part of the whole business, and the bigger the bird crowd and the louder the uproar the better they appear to like it. For their gulls are very dear to them.

One morning when looking on and enjoying the noisy scene, I saw one of the smaller boats left unattended by the men.

They had thrown a canvas over the fish, but this the gulls soon succeeded in pulling aside; then those overhead converging poured down in the form of a white column, and the boat was covered from stem to stern with a mass of birds madly fighting for the herrings. The men in other boats close by looked on and laughed; by and by they began shouting, but this had no effect, and the struggling and feasting went on until the master of the boat returned and scared them off. He said afterwards that they had devoured half his catch, yet the men who had been standing by looking on had made no real attempt to save the fish.

The gulls know their friends very well; with the man in sea-boots and oilskins they are tamer than any domestic bird; they will take food from his hands and love to settle to rest on the boats and to sit perched like swallows on the mast top. They have not the same confidence towards strangers, and they positively dislike small boys. When boys appear they fly away to a distance. One evening, the men being out of sight, I found three urchins amusing themselves by throwing stones at a few small gulls flying about the sand in search of scraps. "What would you get," I asked them, "if one of the men caught you stoning the gulls?" "Oh!" cried the biggest of the three, drawing his head down between his shoulders in a most expressive way, "we'd get our ears well cuffed."

"Very well," I said, "I'm here in their place to-day to look after the birds." In a moment they dropped their stones and taking to their heels vanished in a neighbouring court.

Yet these very boys in a few years' time, when they will be in the boats too, will have the same feeling as the men, and be ready to inflict the severest punishment on any youngster they may catch throwing a pebble at one of their sacred birds!

One day I caught sight of a large ivory-white gull of an unknown species sitting on the water some distance from the shore, and was very anxious to see more of this bird. Two or three days later I was with an artist friend in his studio, and was standing at the window which looks upon a sandy cove at the back of the town. By and by a wave of the incoming tide threw up a dead dogfish about three feet long on the white sand within fifty yards of the window. Scarcely was the fish left by the retiring water before a big white-winged gull dropped down upon it--the very bird I had been hoping to encounter again! There it remained, trying to tear a hole in the tough skin, fully five minutes before the returning water took the fish away, so that I had a good chance of examining it through a binocular. It was considerably bigger than the herring gull, with a much more formidable beak and altogether a bolder appearance, and the entire plumage was of a chalky white. It was a Glaucous gull--the famous Burgomaster of the Arctic Sea, probably a female in immature plumage. In a few moments other gulls dropped down to get a bite--three herring and one black-backed gull with some smaller gulls--but they were not allowed to taste the fish. When one attempted to come near it the white gull looked fixedly at him a couple of moments, then drawing in its head suddenly tipped its beak upwards--an expressive gull gesture corresponding to the snarl of a dog when he is feeding and other dogs approach him. It produced a marked effect on the other gulls; perhaps the Burgomaster, a rare visitor to our seas, was known, from hearsay, to them as a great tyrant.

Talking of this noble stranger to one of the fishermen, I remarked that if a bird collector happened to be about he would certainly have that bird even if compelled to fire into the whole crowd of gulls to kill it. "Then," he returned, "perhaps our men would kill him!"

Hudson opens The Land's End by confessing he long avoided Cornwall, expecting a poor fauna compared to other English counties. He quotes Fuller on knowing one's own country, then admits the West Country's 'observables' kept him from crossing the Tamar. The first chapter, 'Wintering in West Cornwall,' immediately establishes his naturalist lens: he values living creatures over 'granite and serpentine cliffs and seas of Mediterranean blue.' The reader is thus primed for a book that treats landscape as setting, not subject, and that will measure Cornwall by its wild life—especially birds.

Birds as the Book's True Subject

Hudson's opening chapters dwell on gulls at St. Ives and jackdaws on the roofs. He describes a 'greedy sheep-dog' that competes with birds for scraps, and records a 'dialogue between two daws' as a morning pastime. These passages reveal his method: patient observation of animal behaviour, often with a dry humour. The jackdaws' intelligence is a recurring note—he watches them feed, interact, and exploit human settlements. For a first reader, these early bird studies set the expectation that the book's core is ethology, not travelogue. Hudson's voice is precise and unhurried, attentive to small actions.

Cornish Hedges and Human Landscape

Chapter IV, 'Old Cornish Hedges,' turns to the man-made environment. Hudson examines the stone hedges that crisscross the county, noting their age, construction, and the plants that colonise them. He treats them as habitats—'living gems' in a setting of granite. This section shows his ability to find natural history in agricultural boundaries. The hedges become a lens for understanding how people have shaped the land. Hudson does not romanticise; he describes the hedges' structure and the species they support, linking human craft to ecological niches. A reader sees that his 'impressions' are grounded in material detail.

The People and Their Humour

Later chapters address Cornish character. Hudson is sceptical of dialect books that 'do not help us much' and may mislead. He distinguishes two types of unconscious humour, giving examples: a minister's remark that no souls were won during elections, and a fisherman's reaction to painter Brett's palette-knife technique. These anecdotes are not mere colour; they illustrate Hudson's argument that Cornish humour is 'of the second kind'—saying things impossible for someone with a sense of humour. The reader encounters a naturalist equally interested in human behaviour, though his observations are limited to what he witnessed or heard directly.

Winter, Spring, and the Seasonal Arc

The book's structure follows the seasons: from wintering at St. Ives through a great frost to the coming of spring and early flowers. Hudson notes 'Winter Aspects and a Bird Visitation' and 'The Furze in its Glory.' This seasonal progression gives a temporal shape to the impressions. The excerpts suggest he is attentive to change—the arrival of migrant birds, the thaw, the bloom of gorse. For a first reader, this arc provides a natural rhythm. Hudson does not claim completeness; he offers a winter and spring view, leaving summer and autumn undescribed. The book is a slice of the year, not a full natural history.

Hudson's The Land's End rewards a reader who follows his gaze: at birds on roofs, at stone hedges, at the way fishermen talk. He writes as a naturalist who values the living over the scenic, and his prose is precise, often wry. The book is not a guide or a systematic survey; it is a set of impressions, limited to winter and spring, shaped by one observer's curiosity. Read it for the jackdaws, the gulls, the old hedges, and the quiet humour of the people—not for a complete portrait of Cornwall.

There are days I think of Hudson among his Cornish gulls, that wild, salt-crusted patience of his, and it recalls the quiet grip of a northern journey I once shelved. Both books keep the same companionable silence, the stillness of a world that does not need announcing. I have set them near each other, and they seem content, like old friends sharing one window. That is In to the Yukon — Reading Companion, a gentler echo of the same long looking.

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  • ...
    Jennifer Morris - 1 month ago
    {'rating': 2, 'text': "While the subject matter is interesting, the execution is quite dry and academic. The author's prose lacks the engaging narrative that modern nature writing offers, making it a struggle to stay focused. The illustrations, though well-intentioned, appear faded in this edition. Recommended only for true enthusiasts of Victorian-era nature observations, not casual readers."}

  • ...
    Jack Wise - 3 weeks ago
    {'rating': 3, 'text': "A decent read for those interested in the natural history of Cornwall. The observations are detailed and the illustrations are nice. However, the writing can feel a bit dated and overly descriptive at times, which might slow down the pace for some readers. Still, it offers a unique glimpse into the past and the region's natural wonders."}

  • ...
    Michael Barnes - 3 weeks ago
    {'rating': 5, 'text': "This book is a treasure for anyone who loves nature writing and the rugged beauty of Cornwall. The author's keen observations of the flora, fauna, and geology of Land's End are both informative and poetic. The illustrations add a charming vintage feel, making it a delightful read for naturalists and armchair travelers alike. A classic that deserves a place on every nature lover's shelf."}


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