Cornish Saints & Sinners — Reading Notes

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In Category - Geography
Harris, J. Henry, Raven-Hill, L. (Leonard), 1867-1942 [Illustrator] Project Gutenberg 2014 Not confirmed
Legends -- England -- Cornwall (County); Cornwall (England : County) -- Description and travel Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 82,993
Reading time 361 min
Text sections 12

Before opening Cornish Saints & Sinners — Reading Notes, the edition data offers a quick orientation: 82,993 words, 6 hr 1 min estimated reading time, and 12 detected text sections.

The text analysis averages about 21.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Legends -- England -- Cornwall (County),” connecting these edition facts with the source record’s subject description.

J. Henry Harris's Cornish Saints & Sinners blends travelogue, folklore, and social observation, tracing the tension between ancient legends and modern life in early 20th-century Cornwall.
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Editorial Edition Score 4.9/5

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  • Title & short description10 pts
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Read the Text

Guy was appointed guardian of the common purse, and empowered to make all arrangements.

The books were left behind.

A splendid day in August we had for our run westward. The Bookworm had a corner, and by-and-by the spirit of wonder crept over him as he looked at the blue skies and the green grass. There was a world outside of books, after all.

"Here's the briny! Out with your head, man, and suck it all in; it's the wine of life," shouted Guy.

Up went all the blinds, and down went all the windows, and every one who could gazed upon the blue sea shoaling into green with white-flaked edging on the frizzling sands. It is the custom to pay this homage to the sea for being good enough to be just where it is, between Starcross and Teignmouth. Right and left, the Bookworm saw heads thrust out and faces in ecstasy, as though the whole human freight of the flying train was in rapt adoration. White handkerchiefs waved, and the pure voices of children trilled spontaneous anthems whenever the vexatious tunnels permitted them to gaze upon old England's symbol of power and freedom. It was a new experience to the Bookworm, and it surprised him that anything not printed and stitched and bound should stir so much emotion. It was Nature's book in red sandstone and blue sea illuminated by the sun, on which his tired eyes rested for a few moments; he felt refreshed by the mere vision, his pulses throbbing with new sensations. And when the vision passed in the broad valley of the Teign, he asked simply--

"Is there more of this?"

"Plenty," said Guy, promptly.

According to Guy's account, we were to have just whatever we liked, when we liked, and where we liked. Seascape and moorscape, hill and vale, sailing and fishing, riding and driving, and golfing, and all that sort of thing. And then there were certain mysterious regions where we were to find tracks of the fairies, and come across odds and ends of things, and people too. We were not to have any guide-books; he insisted on that. What was the good of guide-books to fellows on their rambles? Who cared how many yards he was from anywhere, or how many miles it was from one place to another? All that was worth remembering could be picked up on the spot, and then there wouldn't be any danger of everything running into one blurred outline of travel, just as happened to a fellow after tramping for weeks through picture-galleries and curio-shops, and all that sort of thing. Guy said he knew a fellow who did the whole county most thoroughly guide-book in hand. He started from Bude, and did the north coast; and then he turned around and did the south coast. He scored his guide-book like a chart of navigation, and his marginal notes played leap-frog all over the show. When he got to Plymouth he lost the precious book, and if it wasn't for railway labels and hotel bills, he wouldn't have known where he'd been.

A commercial man, having totted up his accounts, seemed greatly interested in Guy's remarks, and glided into the conversation. He told us he hadn't had a holiday for thirty years, and never expected another in this life. He became quite confidential, and gave us his views about happiness in the world to come. He never intended going "on the road" again for a living in the next world, he said, if there were any telephones about. He didn't like telephones when the boss was always at the other end.

We ran through the apple country, and the commercial man said these orchards were simply nothing to be compared with those a few miles away, where the real Devon cider was made. He told some funny stories about cider and its makers--the way in which sweet cider was discovered, and the hand that Old Nick had in the matter.

J. Henry Harris's Cornish Saints & Sinners opens with three travelers—Guy Moore, the Bookworm, and the narrator—whose journey through Cornwall becomes a frame for layered observations. The narrative voice shifts between anecdotal humor, folkloric digression, and quiet social commentary, as when the party lingers at a farm where the Andrawartha family has held land for over three centuries. Harris notes how the eldest son will inherit, while the younger will emigrate to Australia or Canada, carrying the old farm name with him. This pattern of dispersal and attachment recurs throughout the excerpts, grounding the book's broader interest in how place persists even as people leave.

Piskies, Soap, and the County Council

One of the most sustained passages in the excerpts recounts a legend about piskies—the children of Adam and Eve who hid from Saturday-night baths and were never found. Harris reports that these invisible beings lived on fern-seed and dew, and that elders once warned children they would be turned into piskies if they refused washing and prayers. The tone is wry: “The School Boards have wrestled with the piskie and failed, and now the County Council is in the ring.” Here, the tension between old belief and modern institutions is made explicit. The piskie persists, visible and invisible, despite education and bureaucracy. Harris does not mock the legend but treats it as a living cultural fact, one that adapts rather than vanishes. The detail of the brown moth called “piskie” suggests how folklore migrates into natural observation, a pattern the book returns to.

The Weight of Names and the Pull of Home

When the travelers leave the Andrawartha farm, the narrator dwells on how Cornish emigrants name new homesteads after the old ones. The Bookworm compares this to Greek colonists carrying fire from ancestral hearths. Harris presents this as a form of continuity: “If he couldn't have anything else he'd have the name to comfort him.” The farm itself is described with a striking image—yellow lichen on slate roofs that, at a distance, looks like burnished gold. “Nature here will insist on dressing herself out in most unlikely places,” Harris writes, “and has a trick of her own for covering up ugliness.” This observation ties the physical landscape to the emotional one: even poverty or departure can be transformed into something precious. The tension between leaving and remembering is not resolved but held in balance.

Voices and Silences in the Narrative Frame

The excerpts reveal a narrator who is present but often observational, letting others speak. Guy Moore is given a romantic subplot—lingering to exchange photographs with Phyllis, the farmer's daughter—while the Bookworm provides intellectual commentary. The two tall sons of the farm walk with the party “a pure distance,” offering local knowledge and family history. Harris reports their speech indirectly, preserving a sense of oral tradition. The narrator's own voice emerges in descriptive passages, such as the lichen-on-roofs metaphor, which feels personal without being confessional. This structure—a small group moving through a landscape, encountering stories and people—suggests that the book as a whole may be a series of such encounters, each layering legend, observation, and quiet reflection. The excerpts do not reveal a plot, but they establish a method: attentive, unhurried, and alert to the strange persistence of the past.

Readers approaching Cornish Saints & Sinners should expect a work that moves between genres—part travel narrative, part folklore collection, part social sketch. Harris's eye for detail and his ear for local speech give the book a documentary quality, while his willingness to let legends stand without debunking preserves their strangeness. The excerpts suggest that the book rewards slow reading, attentive to the way a single farm or a moth can carry the weight of centuries.

There’s something about Harris’s Cornwall that lingers—the way old stones seem to hold their stories close. It reminds me of a quiet afternoon reading Across Iceland — Themes and Context, where the same patient tension between myth and the practical present surfaces. Both books feel less like tours and more like conversations overheard. Across Iceland — Themes and Context stays with me like a half-remembered place. I think I’ll revisit it, slowly.

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    Ryan Alexandria Kelley - 1 month ago
    I was disappointed with this book. The author's attempts at humor often fall flat, and the narrative feels disorganized and drawn out. The stories, while potentially interesting, are told in a rambling style that lost my attention. There are better books on Cornish folklore that are more engaging and better researched. This one felt amateurish.

  • ...
    Kathryn Pearson - 4 weeks ago
    This book offers a good collection of Cornish legends and historical anecdotes, and the author's affection for the subject is evident. However, the writing can be a bit scattered, jumping between times and places without a clear structure. It's an enjoyable read for those with a casual interest, but a more rigorous historical analysis would have made it better.

  • ...
    Abigail Hunt - 3 weeks ago
    A charming and witty exploration of Cornwall's unique blend of pagan and Christian heritage. The author brings to life the legends of Cornish saints and sinners with a storyteller's flair, mixing humor with deep respect for the region's traditions. This book is a joy for anyone interested in local folklore, and it will make you fall in love with Cornwall even more.


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