Beauties and Antiquities of Ireland Being a Tourist's Guide to Its Most Beautiful Scenery & an Archæologist's Manual for Its Most Interesting Ruins — Text and Context
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polis was laid. It seems almost impossible to conceive that the Gaelic name for the month of August could have had any origin other than that given above on the authority of one of the most learned of ancient Irish ecclesiastics, Cormac MacCuillenan, Archbishop of Cashel, in the ninth century.
The descriptions of Tara given in ancient Gaelic writings have been verified in the most remarkable manner by the researches of modern archæologists. Dr Petrie's great work, "The Antiquities of Tara Hill," would go far to remove the prejudices of the most bigoted despiser of Irish historic records. He was one of the most learned and scientific investigators of antiquities that ever lived, and was not only a good Gaelic scholar himself, but had the assistance of the greatest Gaelic scholar of the century, John O'Donovan. Those two gentlemen translated every mention of Tara that they could find in prose or verse in ancient Irish manuscripts; they compared every mention they could find of the monuments of Tara with what remains of them at present; and they found such a general agreement between ancient descriptions of those monuments and the existing remains of them as proved what is said in Gaelic manuscripts about the extent and splendour of Tara in Pagan times to be well worthy of credence. Every one who visits Tara, and who is in any way interested in archæology, should have Doctor Petrie's map of it, which will be found in his minute and elaborate work on the "Antiquities of Tara Hill." That map is reproduced here. The book is very scarce, as only a small edition of it was printed, but it can be found in the "Transactions of the Royal Irish Academy." Armed with Petrie's map a visit to Tara would be one of the most interesting and enjoyable excursions that could be made from Dublin. Kilmessan Station can be reached from the Broadstone terminus in an hour, and less than two miles of a walk through a beautiful country brings one to the summit of "the Hill of Supremacy," as it was called of old when he who ruled in Tara ruled Ireland. No matter how confirmed an archæologist he may be who stands for the first time on this celebrated hill, his first feeling will be of joy at the beauty of the prospect that is spread before him. To know how beautiful Ireland is, even in those places that are not on the track of tourists, and that are seldom mentioned in guide books, one should see the view from the hill of Tara.
It would be hard to find any other hill in Ireland so well adapted for a place of assembly or for the dwelling of a ruler as Tara. Uisneach, in Westmeath, is, perhaps, the only hill in Ireland that possesses all the advantages of Tara. In ancient times, when war was the rule and peace the exception, it was imperative that a stronghold should be on a height. Athens had its acropolis and so had Corinth. Tara had the advantage of extent as well as of height, and could be made a permanent dwelling-place as well as an acropolis, for there are fully a hundred acres on what may be called the summit of the hill. It is unfortunate that some of the hill has been enclosed, planted with deal trees, and a church erected on the very track of some of the most ancient monuments. This plantation and church have terribly interfered with the picturesqueness and antique look of Tara. Planting deal trees and erecting a modern church amid the hoariest monuments, and on the most historic spot of European soil, was little less than sacrilege. If there had been a proper national spirit, or a due veneration for their past among the Irish, they never would have allowed a church or any modern building to be erected on the most historic spot on Irish soil; and even now they ought to have the church removed, the wall torn down, and the plantation uprooted. All Greece would rise up in indignation were any one to erect a church or chapel amid the ruins of the Athenian Acropolis.
The most interesting and best preserved of the antiquities of Tara is the track of the banquetting-house. It must have been an enormous building, for it was about 800 feet long and about 50 wide. It is wonderful how perfectly plain and well-defined the track of this once great structure appears after nearly fourteen hundred years, and in spite of the way this historic spot has been uprooted and levelled. But not a vestige of stone-work or of stones is to be seen near the ruins of the banquetting-house. It seems absolutely certain that there were no buildings of stone in Tara when it was at the height of its grandeur, and that seems to have been about the middle of the third century, during the reign of Cormac MacAirt. It must not be thought that buildings cannot be fine unless they are of stone; but buildings of stone were very rare in northern countries until comparatively recent times. Moore, in his "History of Ireland," says, speaking of wooden buildings and of Tara--"However scepticism may now question their architectural beauty, they could boast the admiration of many a century in evidence of their grandeur. That those edifices were of wood is by no means conclusive either against the elegance of their structure or the civilisation of those who erected them. It was in wood that the graceful forms of Grecian architecture first unfolded their beauties." So the absence of stone buildings in Tara in no way proves that it was not a place of grandeur as well as of beauty; and the tenth century Gaelic poet may have been justified in saying of it,
"World of perishable beauty! Tara to-day, though a wilderness, Was once the meeting-place of heroes. Great was the host to which it was an inheritance, Though to-day green, grassy land."
Every mention of Tara in the vast remnant of Gaelic manuscripts of the ninth, tenth, eleventh, and twelfth centuries that still exists shows it to have been, beyond all comparison, the most important place in ancient Ireland. Oengus the Culdee, author of the longest poem in ancient Gaelic, the famous Félire, recently translated by Mr Whitley Stokes, speaks thus of this renowned but now ruined spot:
"Tara's mighty burgh hath perished With its kingdom's splendour; With a multitude of champions of wisdom Abideth great Ardmagh."
The poet contrasts the desolation into which the strongholds of the Pagans had fallen with the then flourishing condition of the centres of Christian teaching. Tara was the political as well as the social centre of ancient Ireland. It is in connection with it that the only mention made of roads having names is found in ancient Gaelic writings. Five great roads, as will be seen by the annexed map, led from Tara to the extremities of the Island. The Slighe Dala went southward; the Slighe Asail went north-west; the Slighe Midhluchra, went north-east; the Slighe Cualann went south-easterly; and the Slighe Mór went in a south-western direction. Traces of those roads may still be seen by the practised eye of the archæologist.
One of the most interesting things connected with Tara is the Lia Fail, or Stone of Destiny. It was upon it the over-kings of Ireland had been inaugurated from far-back antiquity. It is said to have been brought by Fergus, brother of the then reigning chief King, to Scotland, in order that he might be crowned king on it over the part of Scotland he had conquered. It remained under the coronation chair of the Kings of Scotland down to the time of Edward the First, who seized it and brought it to Westminster, where it is now, and the sovereigns of England have been crowned on it ever since his time. Petrie maintains that the Lia Fail is still in Tara, and that the pillar stone that stands over the graves of the men who fell in '98 is it. He adduces very strong evidence from manuscripts of high authority and of great antiquity to prove what he says. There is, on the other hand, strong testimony to prove that it was brought to Scotland by Fergus. The question will probably never be finally settled. The principal virtue supposed to be possessed by the Lia Fail was that it would bring political power to the country in which it was, particularly if its people were of Celtic stock. It is very remarkable that soon after the stone supposed to be the Lia Fail was taken out of Ireland, her political power began to decline, her over-kings lost a great part of their former authority, and in the long run she lost her independence. Scotland's political power and national independence vanished not long after she had lost the Lia Fail, and in a few centuries after England had got it she became one of the foremost nations in the world. The English claim to be Saxons, but it is now generally admitted that the Celtic element preponderates in the island of Great Britain, so that the prophecy attached to the Lia Fail seems to be fulfilled.
The Lia Fail is certainly the most extraordinary stone in Europe, if not in the world. The famous Rosetta stone, covered as it is with archaic writing, and verifying, as many suppose, the truth of Old Testament history, is hardly more interesting than the rude granite slab that lies under the coronation chair in Westminster, unmarked with a single letter. It is about 25 inches in length, about 15 in breadth, and 9 in depth. How such a rude, unshapely flag-stone could have such a history, and have been an object of veneration and interest for so many centuries, is what strikes with wonder those who see it. But if it is not the real Lia Fail, if it is a sham, and if the stone still standing in Tara is the genuine one, the wonder increases; for the fact of a spurious article having become invested with such fame and regarded with such veneration is the greatest wonder of all.
Doctor Petrie says, in his "Antiquities of Tara Hill," that "it is in the highest degree improbable that to gratify the desire of a colony the Irish would have voluntarily parted with a monument so venerable for its antiquity and considered essential to the legitimate succession of their own kings." He quotes verses from a tenth century poet, Kenith O'Hartigan, who says that the Lia Fail is
"This stone on which are my two heels";
and he quotes from an ancient tract called the _Dinseanchus_, another proof that when it was composed, and that time could not have been later than the tenth century, the Lia Fail was in Tara. It often happens, however, that Irish annalists and historians, so fond were they of looking backward to the past, make things appear as they had been, and not as they were when they wrote. The over-kings of Ireland were called Kings of Tara five hundred years after Tara had been abandoned, and when it was as waste and desolate as it is to-day. O'Dugan, in his topographical poem, written in the fourteenth century, tells of clans inhabiting the English Pale, when they had been banished westward by the invaders nearly two hundred years before he wrote. He prefaces his topographical poem by saying
"O'Maolseachlinn, chief King of Tara and Erin,"
but the last O'Maolseachlinn that was nominally chief King of Ireland and Tara had died three hundred years before O'Dugan wrote! Why those old Gaelic poets were so fond of describing things as they had been, and not as they were when they wrote, is hard to understand. They may have got their information from documents that were centuries old when they copied them. It seems a certainty that the men whose writings Petrie quotes to prove that the Lia Fail was in Tara in the tenth century, did what O'Dugan did in his topographical poem--that is, speak of things as they had been hundreds of years before. He never mentions the English at all. This partially accounts for Irish writers of the tenth century speaking of the Lia Fail being then in Tara. They intended to describe where it used to be, but not where it was. When Petrie says that the Lia Fail is spoken of by all ancient Irish writers in such a manner as to leave no doubt that it remained in its original situation at the time when they wrote, he makes a great mistake. Here is a quotation from the "Book of Leinster," a manuscript of the highest authority, compiled in the early part of the twelfth century, and mostly from writings of a much earlier date:--"It was the Tuatha De Danaans who brought with them the great _Fal_, that is, the stone of knowledge that _was_ in Tara; from which [the name of] Magh Fail is on Ireland. He under whom it would roar was then [rightful] King of Ireland."[2]
There is another very strong proof brought to light by the publication of "Silva Gadelica," by Mr Standish Hays O'Grady, that the Lia Fail was removed from Tara. In the tract called the "Colloquy," one of the speakers says: "This, then, and the Lia Fail, or stone of destiny, that _was_ there (in Tara) were the two wonders of Tara. When Ireland's monarch stepped on it, it would cry out under him," ... "And who was it that lifted that flag, or that carried it away out of Ireland?" asked one of the listeners. "It was a young hero of great spirit that ruled over" ... Here, unfortunately, the tract ends abruptly. The "Colloquy," or "Agallamh na Seanorach," is a tract of respectable antiquity. Its language seems to be that of the fifteenth or perhaps the fourteenth century, but the version that has come down to us may be, and probably is, but a transcript of a much more ancient tract, the language of which was modernised.
If Doctor Petrie had known of the existence of those two proofs given of the Lia Fail having been removed from Tara, he never would have said that all ancient Irish writers spoke of it in such a way as to leave no doubt of its being there still. O'Reilly, author of Irish dictionary, says: "Lia Fail, the stone of destiny, on which the ancient Irish monarchs used to be crowned until the time of Mortogh Mac Earc, who sent it into Scotland that his brother Fergus, who had subdued that country, might be crowned on it. It is now in Westminster Abbey." O'Reilly was the most learned Irish scholar and historian of his day, and was a painstaking, conscientious man, who would hardly state any thing for which he did not have good authority. It must, however, be admitted that up to the present no positive statement seems to have been found in ancient Irish writings as to when and by whom the Lia Fail was brought from Tara to Scotland; neither does it seem to be known where O'Reilly got his information about it.
When Petrie spoke of the improbability of the Irish allowing such a venerated monument as the Lia Fail to be taken out of Ireland, he should have remembered that at the time when it is said to have been taken, in the beginning of the sixth century, Christianity had become established in Ireland. Paganism or Druidism may have survived among a few, but it had got its death-blow. Pagan monuments of every kind had begun to be disregarded. The Lia Fail was essentially a Pagan monument, and consequently an abhorrence to Christians. The fathers, or at least the grandfathers, of the men who allowed Fergus to take it to Scotland, would probably have shed the last drop of their blood to keep it in Ireland. The disrepute into which everything connected with Paganism had fallen after the introduction of Christianity is plainly set forth in the "Book of Leinster" in the very page from which the Gaelic extract about the Lia Fail has been given:--"It happened that Christ was born not long after; it was that which broke the power of the idols."[3] The Lia Fail was an idol that had lost its power and prestige, so that the people would not be likely to have any objection to its being removed to Scotland or anywhere else.
But there are still other even stronger objections for accepting Petrie's theory that the Lia Fail is still in Tara. The pillar stone that is there is not a _lia_, and never would have been called such by the ancient Irish. _Lia_ means a stone of any kind in its general sense; but the pillar stone in Tara would not be called a _lia_, but a _coirthe_. _Lia_ is always applied to a flag-stone, both in ancient and modern Gaelic. The stone under the coronation chair in Westminster is a real _lia_ or flag-stone; the one in Tara is a _coirthe_, or pillar stone, for, judging from its height above the ground, it cannot be much less than eight feet in length; it is very nearly round, and was evidently fashioned into its present shape by man. If the stone in Tara is the real Lia Fail, how did it come to lose its original name and be know even still by an Irish name that connects it with Fergus, the person by whom the real Lia Fail is popularly believed to have been brought to Scotland? This loss of an original name, and its substitution by a new one, could hardly have occurred in the case of such a famous monument as the Lia Fail. If the superstitious reverence with which it had been regarded before the introduction of Christianity had vanished, its original name would have remained. There are many place names in Ireland that have not changed during twenty centuries, and it is almost impossible to conceive how the name of the most venerated monument in all Ireland could have changed had the monument itself remained in the country. Another strong objection against the pillar stone in Tara being the real Lia Fail is its shape. The real Lia Fail was intended to be stood upon by the chief king at his inauguration; but the most flat-footed monarch that ever ruled Ireland would have considerable difficulty in standing steadily on the _coirthe_ in Tara, even if it were prostrate, for it is round and not flat. Standing steadily on it would be nearly as difficult a performance as "rolling off a log" would be an easy one.
Taking everything into consideration, there seem to be very strong reasons to believe that the Lia Fail was taken from Tara to Scotland at the time it is popularly believed to have been taken--namely, about the year 503 of the Christian era; that it was taken in order to have Fergus Mac Earc inaugurated on it as king over that part of Scotland which he had brought under his domination; that it was taken from Scone to Westminster by Edward the First in the year 1296, and that it is now under the coronation chair in Westminster Abbey. It seems strange how a man of Doctor Petrie's archæological knowledge could have been led to believe that the pillar stone still in Tara, for whatever use it may have been originally intended, was the real Lia Fail, or Stone of Destiny.
It would be most instructive and interesting if a scientific examination was made of the stone under the coronation chair. If it was proved to be a meteoric stone, its fame and the reverence with which it was so long regarded could be easily understood. If an ancient tribe saw a stone falling from heaven among them, they would regard such a thing as a miracle, and think that the stone was sent to them for some special purpose. They would, if possible, take it with them wherever they went. If the Lia Fail was proved to be a meteoric stone, the esteem and honour in which it was so long held, and the power which it was believed to possess, would be easily accounted for.
The history of Tara is, to a great extent, the history of ancient Ireland of pre-Christian times. It was more of a political centre than London or Paris is at present. The event that above all others left a permanent mark as well as a blot on Irish history may be said to have had its origin in Tara. The horrible Leinster Tribute and Tara are closely connected.
Russell opens with a pointed critique of earlier guidebooks, dismissing many as written by persons "utterly unfitted" for the task, their historical remarks "incorrect and misleading." This combative tone sets the stage for a work that aims to correct errors while celebrating Ireland's ruins and scenery. The narrative voice is authoritative and opinionated, frequently shifting from brisk travel directions to dense archaeological argument.
A Polemical Preface and a Dual Purpose
The preface establishes the book's dual aim: to serve as both a tourist's guide and an archaeologist's manual. Russell insists that Irish history is "as generally interesting as Irish scenery is generally beautiful," and he selects only historic sites. He lambasts previous authors for their ignorance of Irish language and literature, claiming their works would be improved if "the printed matter were torn out." This combative stance recurs throughout, lending the prose a crusading energy. The preface also reveals a self-imposed limitation: the book cannot be an encyclopedia, so many places are omitted. Readers should expect a selective, argument-driven tour rather than a comprehensive catalogue.
The Ruins of Mellifont: A Case Study in Loss
Russell's treatment of Mellifont Abbey exemplifies his method. He describes its near-total destruction, noting that "hardly a vestige" of its high walls remains, and speculates that the stones were carted away to an unknown location. He contrasts its current obscurity with what it might have been: "one of the most beautiful ecclesiastical ruins in Europe." The passage moves from physical description to historical conjecture, noting that the abbey's Irish name is unknown—annalists called it the "Drogheda Monastery." Russell then traces its founding in 1142 by O'Carrol, Prince of Oriel, and links its architectural style to broader trends: the cessation of Danish raids and Norman-French influence. He argues that the Norman invasion of Ireland arrested architectural development, a claim he supports by noting that most great churches predate Strongbow.
Rhythm and Digression: The Narrative Engine
Russell's prose moves in unpredictable rhythms. A typical section might begin with a scenic description, then veer into a historical anecdote, then a linguistic note, then a complaint about modern neglect. The Mellifont entry, for instance, jumps from the missing stones to a mill built eighty years prior, to the abbey's Latin name, to the Four Masters, to the Board of Works excavations, to St. Bernard, to a castle from after the Anglo-French invasion. This associative structure mirrors a walking tour where one sight prompts another. The voice remains consistently opinionated: "strange and hard to be understood" is a typical phrase. Readers should expect digressions and abrupt shifts in scale, from a single stone to a century of history.
Russell's guide rewards readers who enjoy a strong authorial presence and are willing to follow his associative leaps. The book is best approached not as a systematic reference but as a personal, argumentative journey through Ireland's ruins. Pay attention to the moments when Russell pauses to correct earlier writers—these asides reveal his core concerns about historical accuracy and cultural respect.
Leafing through Russell’s guide, I paused on his frustration with earlier travellers, their hurried judgments. That measured irritation reminded me of another book, a quieter catalogue of distant cities where history lingers in plazas rather than ruins. Both feel like conversations with patient observers. The Capitals of Spanish America — Key Ideas to Explore holds a similar gentleness, a willingness to let a place speak slowly, without forcing conclusions.
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